Man-woman relationships -- Fiction; United States -- Social life and customs -- 19th century -- Fiction; Women -- Fiction
Mrs. Barr still sat by the window. The pure radiance of the moon lay
full upon the hands clasped in her lap, the Quaker cap which framed in
that lovely old face—and the muslin neckerchief folded over her bosom.
Catharine, with a sigh of infinite relief, went up to the easy-chair.
She was not asleep—not even in pain. Those kind, blue eyes were
open—that gentle mouth had a smile upon it. She was resting, Catharine
thought, nothing more—evidently resting, and did not wish to be
disturbed. Had she not asked to be left alone? Catharine moved softly to
a shadowy part of the room and sat down, holding her very breath, in
fear of disturbing the sick woman, who had not cared to recognize her
presence. The music from down-stairs rose to her faintly. Sometimes the
dying echo of a laugh came floating upward; but after a while, all this
ceased; then the stillness in the room oppressed her.
Again Catharine arose and went close to Mrs. Barr’s chair.
“Have you had a good rest, dear mother?” she whispered, bending close to
the motionless head.
There was no answer—no sign, no breath that she could hear or feel. She
saw the eyes turned to the open window—the smile still hovering about
those lips; but she also saw that the whole face had turned whiter than
whiteness. The awful silence of the grave was there, and she knew that
her best friend had passed over the “dark waters” when that shock fell
upon her, breaking up alike her hopes and her prayers.
CHAPTER XXXVI.
THE OLD MANSION-HOUSE.
A few old houses still remain among the villas, hotels, and cottages
that make Staten Island a little Eden. Many of these are on the shore,
and not being so accessible as these modern structures, are of course
less known. One of these buildings, situated almost in the verge of the
Island, surrounded by groves of primeval trees, fruit-orchards, and
flowing thickets, must now become the scene of our story.
Public-domain text, read in full here on John Shaqi.
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