Man-woman relationships -- Fiction; United States -- Social life and customs -- 19th century -- Fiction; Women -- Fiction
But what cared the hospital nurse for this? The coffins on her right, so
glistening and ghastly, were nothing but a heap of pine boards fashioned
in a fantastic shape to her. The building simply a grim pile of stone,
which cast a convenient shadow for her to walk in. She rather resented
the closeness of the atmosphere, but scorned to walk faster, and cast it
off with a sort of defiant toss of the head, muttering that “she could
stand anything, and wasn’t to be frightened by shadows, not she!”
Thus picking her steps leisurely, she went down this valley of death;
and secure of not being discovered from the hospital windows, passed
through a gate, in the wall near the water, which had most conveniently
been left unlocked by the porter.
Once free of the hospital walls, Jane Kelly moved on with more
resolution. An omnibus stood at its station on one of the avenues. She
entered it, and seating herself in an extreme corner, subsided, to all
appearances, into a state of passive indifference.
The omnibus heaved and rumbled on its way, receiving here and there a
woman of the lower classes, or a half intoxicated man passing home to
his family after a primary meeting or a reunion in some corner grocery.
The hospital nurse got out where Nassau Street verges from Chatham, and
disappeared after walking half a dozen blocks down one of the cross
streets. We find her again threading her way up through the darkness of
a large building, divided into offices and rooms of various sizes,
mostly untenanted at that hour of the night. The passages were
profoundly dark; the staircase narrow, winding in and out with no regard
to architectural rules; in some places considerably out of repair, while
in others bits of coal and peanut husks crunched underfoot, and gave
evidence of a general state of untidiness perceptible even in the dark.
At last the woman came to a wooden door, at which she paused. A gleam of
light stole through a crevice over the threshold, and struggled around
an iron key half turned in the lock. With this came a faint noise as of
some person moving within.
Jane Kelly knocked at this door, rather timidly, as if she were a little
uncertain about the place she sought.
There was no answer. But the noise of a moving chair, and a shuffle of
feet as if approaching the door, kept Jane Kelly stationary. After some
delay the door was partially opened and a face looked through.
“Who are you? What do you want here with a veil on that nobody can see
through? Go away,” said a sharp, angry voice.
“You told me to come!” said the woman, lifting her veil and bending
forward that her features might be seen.
“Not at this time of night,” cried the voice, which now exhibited a
slightly foreign accent; and, without having really seen the face
presented for her inspection, the woman who owned it was about to close
the door entirely.
“You don’t know me. I came from Bellevue,” said the nurse; “you told me
to come, and I’m here.”
Public-domain text, read in full here on John Shaqi.
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