Man-woman relationships -- Fiction; United States -- Social life and customs -- 19th century -- Fiction; Women -- Fiction
For a moment Elsie looked around as if bewildered. She had flung aside
her crimson robe after one elaborate toilet, and now appeared in a plain
morning-dress of pure white, loose from the shoulders down. A band of
scarlet chenille, twisted lightly together, gathered up the long tresses
of her hair, which she had arranged in fantastic waves and masses back
of her head, as we find it in antique statues. In truth, all Elsie’s
fantasies in dress had a classic grace about them, which perhaps sprung
from some early taste, brightened into the picturesque by insanity.
Thus, in her cloud-like white dress, and with the glowing scarlet in her
hair, she moved across the room, pausing every step or two, and
listening as if she feared that some one might follow her.
A gleam of sharp intelligence shot across her face as she saw the
bird-cage, and darting toward it, she opened the door, chirping softly
with her lips, as if to call the bird forth. But the jar that she had
given to the cage, and the air set in motion by her drapery, took up the
heap of plumage that she had taken for a bird, and sent it floating
through the room.
Elsie dropped her hand from the cage-door, and drooping downward in sad
despondency, turned her head from side to side, gazing with a woe-begone
countenance at the feathers as they quivered from her sight and settled
down like soft gleams of gold in the dusky corners.
“Gone, gone; all alike, all alike,” she muttered, in a low, tearful
voice. “So it is always, always; everything that loves me
dies—everything that I love melts into air, or turns into some wicked
creature and stings me. My poor bird, my pretty canary, why did I come?
Why did I let these wicked hands touch his cage? they have driven him
off, turned him into a wasp that will sting, sting, sting, oh!”
She shrunk back from the light, and held out her hands with the palms
outward, as if warding off the insects that she fancied herself to have
created.
“I can’t help it—how can I? If these cruel things start to life with a
touch of my finger, it is his fault, not mine; he drained the life from
my soul and filled it with this wickedness. If it kills all beautiful
things, and turns them into vipers and stinging insects that come back
upon me for food, eating and biting at my temples day and night, how can
I help it?”
The poor woman uttered these wild words with a low cry of anguish,
fighting the air with one hand, and gathering the folds of her white
robe up over her face with the other, as if to protect it from harm.
At last she looked up fearfully and with a shudder. What she deemed the
swarm of yellow wasps no longer flew across the light, for the feathers
had settled upon the floor, and their absence seemed to give her relief.
As the drapery fell from her face, it was clasped again between her
folded hands, while a dull stillness fell upon her. She was looking at
her own picture.
Public-domain text, read in full here on John Shaqi.
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