Man-woman relationships -- Fiction; United States -- Social life and customs -- 19th century -- Fiction; Women -- Fiction
LXIX.— MADAME DE MARKE’S DEATH-BED 359
LXX.— LITTLE EDDIE’S GRIEF 365
LXXI.— QUESTIONS AND CONFESSIONS 371
LXXII.— ELSIE’S MARRIED LIFE 376
LXXIII.— ELSIE RETURNS HOME 381
LXXIV.— ANNOUNCEMENT OF THE WEDDING 386
LXXV.— THE INTERRUPTED CEREMONY 393
LXXVI.— RIGHTED AT LAST 397
LXXVII.— ABOUT THE LITTLE BOY 403
THE
CURSE OF GOLD.
CHAPTER I.
A WARD IN BELLEVUE.
The sick ward of a hospital, mockingly, it would seem, called Bellevue.
The room was long, low in the ceiling, and lighted by a range of windows
sunk deep in the wall, which overlooked the East River and an expanse of
Long Island that curved along the opposite shore.
A few poverty-stricken women, and some worse than that, because bowed
down by shame as well as poverty, had sought this ward as the only place
in which their anguish and sorrow could find shelter.
Narrow, pauper cots, furnished with straw beds and covered with coarse,
checkered cotton, were ranged down each side, of the room, with just
space enough between to allow a sort of foot-path in which the nurses
could pass from one bed to another.
Every cot was occupied. Here a young face, so pale and mournful that
your heart ached while gazing on it, was turned sadly toward you on the
straw pillow, or a feeble hand would make an effort to draw up the
coverlet, that you might not mark the flush of shame that stole over her
forehead, or discover the cause of that shame which lay nestled in her
bosom.
Other faces met your view, coarse and shameless, or haggard with long
suffering; and some turned upon you eyes so full of gentle submission,
that you wondered why human beings so opposite in their nature should be
crowded together in one room, even by the terrible leveller Poverty.
Sounds, in painful harmony with the scene, greeted your entrance.
Murmurs of sharp impatience, imprecations suppressed only by fear, and
open complaints from the coarser and ruder inmates, drowned the sighs
and timid whispers of maternal love that gave a breath of heaven even to
that miserable place.
Two cots in the room, both standing in a remote corner, were occupied
like the rest, but gave forth no signs of life. They stood close
together, and of the occupants it seemed impossible to say which was
living, or which was actually dead, so coldly pale were the two faces
that gleamed upon you from the pillows. Both were young, and one was
wondrously beautiful even in that deathly state, when forehead, hands
and lips were blanched to the whiteness of a corpse.
Public-domain text, read in full here on John Shaqi.
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