The Customs of Old EnglandSnell, F. J. (Frederick John)
History
The Customs of Old England
Snell, F. J. (Frederick John)
England -- Social life and customs -- 1066-1485
There are four great English cycles--those of Chester, York, Wakefield,
and Coventry. By a cycle is meant a series of plays forming together
what may be termed an encyclopaedia of history; it was attempted to crowd
into one short day "mater from the beginning of the world." This
ambitious programme bespoke the interested co-operation of many persons,
and the gilds, embracing it with enthusiasm, transformed the Corpus
Christi festival into an annual celebration marked by gorgeous pageants.
The word "pageant," which appears to be etymologically related to the
Greek [Greek: pegma], is technical in respect of miracle plays, and, in
this connexion, is thus defined, by Archdeacon Rogers:
"A high scafolde with two rowmes, a higher and a lower, upon four
wheeles. In the lower they apparelled them selves, and in the higher
rowme they played, beinge all open on the tope, that all behoulders
might heare and see them."
The pageants were constructed of wood and iron, and so thoroughly that
it was seldom that they needed to be renewed. In the floor of the stage
were trap-doors covered with rushes. The whole was supported on four or
six wheels so as to facilitate movement from point to point; and as the
miracle plays were essentially peripatetic--within, at least, the bounds
of a particular town, and sometimes beyond--this was a very necessary
provision.
Each pageant had its company. The word "company" here is not exactly
synonymous with "gild," for several gilds might combine for the object
of maintaining a pageant and training and entertaining actors, and the
composition of the company varied according to the wealth or poverty,
zeal or indifference, of different gilds. Thus it came to pass that the
number of pageants, in the same city, was subject to change, companies
being sometimes subdivided, and at other times amalgamated; and in the
latter event the actors undertook the performance of more scenes than
would otherwise have fallen to their share. Commonly speaking, there was
probably no lack, whether of funds or players, at any rate as regards
the principal centres. The cycles were the pride of the city, and it
would have been a point of honour with the members of the several
companies not to allow themselves to be outclassed by their competitors.
Public-domain text, read in full here on John Shaqi.
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