The Dabistán, or School of manners, Volume 1 (of 3): translated from the original Persian, with notes and illustrations
Religion
The Dabistán, or School of manners, Volume 1 (of 3): translated from the original Persian, with notes and illustrations
Iran -- Religion; Religions
If the author attempted to describe the learned and pious Abádíyán who
were seen in the _Dadistan Aursah_,[339] this treatise would never be
brought to a conclusion; he now therefore proceeds to mention some
others, who though professing a faith different from the Yezdánián or
Abadíyán, yet walked according to the institutes of Kaiván’s
disciples, and attained their great object, the knowledge of God: and
although this class is too numerous to be fully described, a few of
the eminent personages are now about to be mentioned.
_Mahummed Alí_, of Shiraz was the fellow-student of Shah Futtah Allah,
and he traced his family to Azar Kaiván: he however attained
perfection through the society of Farzanah Bahram, the son of Farhád,
and had also traversed the seven climes. A thief came to his house one
night, on perceiving whom Muhammed Alí pretended to fall asleep on his
carpet, so that the robber might not suppose him to be awake, and
continue his pursuits without apprehension. The robber searched the
house carefully, but as all the effects were concealed in a secure
place, he was unable to get at them. On this Muhammed raising his
head, said to him: “I laid myself down to sleep, that thou mightst
accomplish thy desires, whereas thou art in despair: be no longer
uneasy.” He then arose and pointed out the place where all the things
were stored away: in consequence of this generous proceeding, the
robber abandoned his infamous profession, and became a virtuous
character.
_Muhammed Said_ of Isfahan was a Saiyid descended from Husain, who
attained his great object through Farzanah Bahram, the son of Farhad.
He once said to the author: “The first time I obtained the honor of
admittance to the audience of the distinguished Farzanah, he rose up
on seeing me, and showed the proper respect due to an honorable
person, directing me to be seated on the most distinguished couch.
Some time after, entered a naked Fakir, but Farzanah Bahram moved not
from his place, but pointed him to a seat in the slipper-repository. I
felt this scruple; surely the highest distinction is due to the
Durvish. Farzanah then turning his face to the wall, which was
ornamented with paintings, said: ‘O, lifeless figure, thou art seated
on high; but external form confers not distinction; but Durvishes
enjoy a rank, when their bodies are under the control of their
souls,[340] and their souls united with the supreme object of love;
even in this assembly they are seated with me in my heart.’ On hearing
this, I turned into the right road.” In the year of the Hejirah 1045
(A. D. 1634), he abandoned this elemental frame in Lahore.
Public-domain text, read in full here on John Shaqi.
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