The Dabistán, or School of manners, Volume 1 (of 3): translated from the original Persian, with notes and illustrations
Religion
The Dabistán, or School of manners, Volume 1 (of 3): translated from the original Persian, with notes and illustrations
Iran -- Religion; Religions
From his earliest age he appears to have led an active life,
frequently changing his residence. Such a mode of life belongs to a
travelling merchant or philosopher, and in our author both qualities
might have been united, as is often the case in Asia. Mohsan Fani,
during his travels, collected the diversified and curious materials
for the Dabistán; he observed with his own eyes the manners and
customs of different nations and sects. He says himself at the
conclusion of his work: “After having much frequented the meetings of
the followers of the five before-said religions,” Magians, Hindus,
Jews, Nazareans, and Muselmans, “the author wished and undertook to
write this book; and whatever in this work, treating of the religions
of different countries, is stated concerning the creed of different
sects, has been taken from their books, and for the account of the
persons belonging to any particular sect, the author’s information was
imparted to him by their adherents and sincere friends, and recorded
literally, so that no trace of partiality nor aversion might be
perceived: in short, the writer of these pages performed no more than
the task of a translator.” This declaration, even to a severe critic,
may appear satisfactory. Sir William Jones called him[19] a learned
and accurate, a candid and ingenious author. A further appreciation of
Mohsan Fani’s character is reserved for subsequent pages. We can,
however, here state, that he sought the best means of information, and
gives us what he had acquired not only from personal experience, which
is always more or less confined; not only from oral instruction, which
is too often imperfectly given and received; but also from an
attentive perusal of the best works which he could procure upon the
subject of his investigation. Of the latter authorities which the
author produces, some are known in Europe, and we may judge of the
degree of accuracy and intelligence with which he has made use of
them. Of others, nothing at all, or merely the name, is known. This is
generally the case with works relative to the old Persian religion,
which is the subject of the first chapter, divided into fifteen
sections.
The authorities which he adduces for this chapter are as follow:
1. The _Amighistan_ (vol. I. pp. 15. 26. 42), without the name of
its author.
2. The _Desátir_ (vol. I. pp. 20. 21. 44. 65), an heaven-bestowed
book.
3. The _Darai Sekander_ (vol. I. pp. 34. 360), composed by Dáwir
Háryar.
4. The _Akhteristan_, “region of the stars” (vol. I. pp. 35. 42).
5. The _Jashen Sadah_, “the festival of Sadah” (the 16th night of
January) (vol. I. pp. 72. 112).
6. The _Sárud-i-mastan_, “song of the intoxicated” (vol. I. p. 76.
vol. II. p. 136): this and the preceding work composed by Mobed
Hushíar.
7. The _Jam-i-Kai Khusro_, “the cup of Kai Khusro,” a commentary
upon the poems of Azar Kaivan, composed by Mobed Khod Jai (vol.
I. pp. 76. 84. 119.)
Public-domain text, read in full here on John Shaqi.
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