And now in my antechamber to the library, on the second morning, sitting
among piles of foolscap and sheets of spotless blotting-paper, all
useless to me, these slight hints came back and helped to frame the big,
vague Shadow I have mentioned. Up to the neck in this Shadow, almost
drowned, yet just treading water, stood the figure of my hostess in her
walking costume. Frances and I seemed swimming to her aid. The Shadow
was large enough to include both house and grounds, but farther than
that I could not see.... Dismissing it, I fell to reading my purloined
book again. Before I turned another page, however, another startling
detail leaped out at me: the figure of Mrs. Franklyn in the Shadow was
not living. It floated helplessly, like a doll or puppet that has no
life in it. It was both pathetic and dreadful.
Any one who sits in reverie thus, of course, may see similar ridiculous
pictures when the will no longer guides construction. The incongruities
of dreams are thus explained. I merely record the picture as it came.
That it remained by me for several days, just as vivid dreams do, is
neither here nor there. I did not allow myself to dwell upon it. The
curious thing, perhaps, is that from this moment I date my inclination,
though not yet my desire, to leave. I purposely say "to leave."
I cannot quite remember when the word changed to that aggressive,
frantic thing which is escape.
Chapter V
We were left delightfully to ourselves in this pretentious country
mansion with the soul of a villa. Frances took up her painting again,
and, the weather being propitious, spent hours out of doors, sketching
flowers, trees and nooks of woodland, garden, even the house itself
where bits of it peered suggestively across the orchards. Mrs. Franklyn
seemed always busy about something or other, and never interfered with
us except to propose motoring, tea in another part of the lawn, and so
forth. She flitted everywhere, preoccupied, yet apparently doing
nothing. The house engulfed her rather. No visitor called. For one
thing, she was not supposed to be back from abroad yet; and for another,
I think, the neighborhood--her husband's neighborhood--was puzzled by
her sudden cessation from good works. Brigades and temperance societies
did not ask to hold their meetings in the big hall, and the vicar
arranged the school-treats in another's field without explanation. The
full-length portrait in the dining room, and the presence of the
housekeeper with the "burnt" back hair, indeed, were the only reminders
of the man who once had lived here. Mrs. Marsh retained her place in
silence, well-paid sinecure as it doubtless was, yet with no hint of
that suppressed disapproval one might have expected from her. Indeed
there was nothing positive to disapprove, since nothing "worldly"
entered grounds or building. In her master's lifetime she had been
another "brand snatched from the burning," and it had then been her
Public-domain text, read in full here on John Shaqi.
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