The upper corridors of the great sleeping house were brightly lit; on
her way to me she had turned on every electric switch her hand could
reach; and as we passed the final flight of stairs to the floor below, I
heard a door shut softly and knew that Mabel had been listening--waiting
for us. I led my sister up to it. She knocked, and the door was opened
cautiously an inch or so. The room was pitch black. I caught no glimpse
of Mabel standing there. Frances turned to me with a hurried whisper,
"Billy, you will be careful, won't you?" and went in. I just had time to
answer that I would not be long, and Frances to reply, "You'll find us
here" when the door closed and cut her sentence short before its end.
But it was not alone the closing door that took the final words.
Frances--by the way she disappeared I knew it--had made a swift and
violent movement into the darkness that was as though she sprang. She
leaped upon that other woman who stood back among the shadows, for,
simultaneously with the clipping of the sentence, another sound was also
stopped--stifled, smothered, choked back lest I should also hear it. Yet
not in time. I heard it--a hard and horrible sound that explained both
the leap and the abrupt cessation of the whispered words.
I stood irresolute a moment. It was as though all the bones had been
withdrawn from my body, so that I must sink and fall. That sound plucked
them out, and plucked out my self-possession with them. I am not sure
that it was a sound I had ever heard before, though children, I half
remembered, made it sometimes in blind rages when they knew not what
they did. In a grown-up person certainly I had never known it. I
associated it with animals rather--horribly. In the history of the
world, no doubt, it has been common enough, alas, but fortunately today
there can be but few who know it, or would recognize it even when heard.
The bones shot back into my body the same instant, but red-hot and
burning; the brief instant of irresolution passed; I was torn between
the desire to break down the door and enter, and to run--run for my life
from a thing I dared not face.
Out of the horrid tumult, then, I adopted neither course. Without
reflection, certainly without analysis of what was best to do for my
sister, myself or Mabel, I took up my action where it had been
interrupted. I turned from the awful door and moved slowly towards the
head of the stairs.
But that dreadful little sound came with me. I believe my own teeth
chattered. It seemed all over the house--in the empty halls that opened
into the long passages towards the music-room, and even in the grounds
outside the building. From the lawns and barren garden, from the ugly
terraces themselves, it rose into the night, and behind it came a
curious driving sound, incomplete, unfinished, as of wailing for
deliverance, the wailing of desperate souls in anguish, the dull and dry
beseeching of hopeless spirits in prison.
Public-domain text, read in full here on John Shaqi.
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