And, to my surprise, the door of the dining room was open. It had been
opened. I paused on the threshold, staring about me. I think I fully
expected to see a figure blocked in the shadows against the heavy
sideboard, or looming on the other side beneath his portrait. But the
room was empty; I felt it empty. Through the wide bow-windows that gave
on to the verandah came an uncertain glimmer that even shone reflected
in the polished surface of the dinner-table, and again I perceived the
stiff outline of chairs, waiting tenantless all round it, two larger
ones with high carved backs at either end. The monkey trees on the upper
terrace, too, were visible outside against the sky, and the solemn
crests of the wellingtonias on the terraces below. The enormous clock on
the mantelpiece ticked very slowly, as though its machinery were running
down, and I made out the pale round patch that was its face. Resisting
my first inclination to turn the lights up--my hand had gone so far as
to finger the friendly knob--I crossed the room so carefully that no
single board creaked, nor a single chair, as I rested a hand upon its
back, moved on the parquet flooring. I turned neither to the right nor
left, nor did I once look back.
I went towards the long corridor filled with priceless _objets d'art_,
that led through various antechambers into the spacious music-room, and
only at the mouth of this corridor did I next halt a moment in
uncertainty. For this long corridor, lit faintly by high windows on the
left from the verandah, was very narrow, owing to the mass of shelves
and fancy tables it contained. It was not that I feared to knock over
precious things as I went, but, that, because of its ungenerous width,
there would be no room to pass another person--if I met one. And the
certainty had suddenly come upon me that somewhere in this corridor
another person at this actual moment stood. Here, somehow, amid all this
dead atmosphere of furniture and impersonal emptiness, lay the hint of a
living human presence; and with such conviction did it come upon me,
that my hand instinctively gripped the pistol in my pocket before I
could even think. Either some one had passed along this corridor just
before me, or some one lay waiting at its farther end--withdrawn or
flattened into one of the little recesses, to let me pass. It was the
person who had opened the door. And the blood ran from my heart as I
realized it.
Public-domain text, read in full here on John Shaqi.
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