Yet he prayed without ceasing, and gave heavily to the poor--the only
thing he could not give being big ideas to his provincial and suburban
deity. Pettier than an insect, and more obstinate than a mule, he had
also the superior, sleek humility of a "chosen one." He was churchwarden
too. He read the lesson in a "place of worship," either chilly or
overheated, where neither organ, vestments, nor lighted candles were
permitted, but where the odor of hair-wash on the boys' heads in the
back rows pervaded the entire building.
This portrait of the banker, who accumulated riches both on earth and in
heaven, may possibly be overdrawn, however, because Frances and I were
"artistic temperaments" that viewed the type with a dislike and distrust
amounting to contempt. The majority considered Samuel Franklyn a worthy
man and a good citizen. The majority, doubtless, held the saner view. A
few years more, and he certainly would have been made a baronet. He
relieved much suffering in the world, as assuredly as he caused many
souls the agonies of torturing fear by his emphasis upon damnation.
Had there been one point of beauty in him, we might have been more
lenient; only we found it not, and, I admit, took little pains to
search. I shall never forget the look of dour forgiveness with which he
heard our excuses for missing Morning Prayers that Sunday morning of our
single visit to The Towers. My sister learned that a change was made
soon afterwards, prayers being "conducted" after breakfast instead of
before.
The Towers stood solemnly upon a Sussex hill amid park-like modern
grounds, but the house cannot better be described--it would be so
wearisome for one thing--than by saying that it was a cross between an
overgrown, pretentious Norwood villa and one of those saturnine
Institutes for cripples the train passes as it slinks ashamed through
South London into Surrey. It was "wealthily" furnished and at first
sight imposing, but on closer acquaintance revealed a meager
personality, barren and austere. One looked for Rules and Regulations on
the walls, all signed By Order. The place was a prison that shut out
"the world." There was, of course, no billiard-room, no smoking-room, no
room for play of any kind, and the great hall at the back, once a
chapel, which might have been used for dancing, theatricals, or other
innocent amusements, was consecrated in his day to meetings of various
kinds, chiefly brigades, temperance or missionary societies. There was a
harmonium at one end--on the level floor--a raised dais or platform at
the other, and a gallery above for the servants, gardeners, and
coachmen. It was heated with hot-water pipes, and hung with Doré's
pictures, though these latter were soon removed and stored out of sight
in the attics as being too unspiritual. In polished, shiny wood, it was
a representation in miniature of that poky exclusive Heaven he took
about with him, externalizing it in all he did and planned, even in the
grounds about the house.
Public-domain text, read in full here on John Shaqi.
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