Produced by Turgut Dincer, Charlie Howard, and the Online Distributed Proofreading Team at http://www.pgdp.net (This file was produced from images generously made available by The Internet Archive) Transcriber’s Note: The List of Illustrations was added by Transcriber and placed into the Public Domain. THE ART OF MUSIC The Art of Music A Comprehensive Library of Information for Music Lovers and Musicians Editor-in-Chief DANIEL GREGORY MASON Columbia University Associate Editors EDWARD B. HILL LELAND HALL Harvard University Past Professor, Univ. of Wisconsin Managing Editor CÉSAR SAERCHINGER Modern Music Society of New York In Fourteen Volumes Profusely Illustrated [Illustration] NEW YORK THE NATIONAL SOCIETY OF MUSIC [Illustration: Odalisque in ‘Scheherazade’ (Russian Ballet) _Design by Léon Bakst_] THE ART OF MUSIC: VOLUME TEN The Dance Department Editor: IVAN NARODNY Introduction by ANNA PAVLOWA Ballerina, Imperial Russian Ballet [Illustration] NEW YORK THE NATIONAL SOCIETY OF MUSIC Copyright, 1916, by THE NATIONAL SOCIETY OF MUSIC, Inc. [All Rights Reserved] THE DANCE INTRODUCTION ‘The gods themselves danced, as the stars dance in the sky,’ is a saying of the ancient Mexicans. ‘To dance is to take part in the cosmic control of the world,’ said the ancient Greek philosophers. ‘What do you dance?’ asks the African Bantu of a member of another tribe after his greeting. Livingston said that when an African wild man danced, that was his religion. It is said that the savages do not preach their religion but dance it. According to the Bible, the ancient Hebrews danced before their Ark of the Covenant. St. Basil describes the angels dancing in Heaven. According to Dante, dancing is the real occupation of the inmates of Heaven, Christ acting as the leader of a celestial ballet. ‘Dancing,’ said Lucian, ‘is as old as love.’ Dance had a sacred and mystic meaning to the early Christians upon whom the Bible had made a deep impression: ‘We have piped unto you and ye have not danced.’ The service of the Greek Church--even to-day--is for the most part only a kind of sacred dance, accompanied by chants and singing. The priest, walking and gesturing with an incense-pan up and down before the numerous ikons, kneeling, bowing to the saints, performing queer cabalistic figures with his hands in the air, and following always a certain rhythm, is essentially a dancer. It is said that dancing of a similar kind was performed in the English cathedrals until the fourteenth century. In France the priests danced in the choir at the Easter Mass up to the seventh century. In Spain similar religious dancing took deepest root and flourished longest. In the Cathedrals of Seville, Toledo, Valencia and Xeres the dancing survives and is the feature at a few special festivals.