According to Livy, pantomimes were invented to please the gods and to
distract the people, horrified by the plague that created havoc in the
sacred city of Rome. The _Ludiones_, the celebrated Roman bards, are
said to have performed their dances first before the houses of the
rich to the music of the flute, but later appeared in the circuses and
in special show tents. Their example found followers among the Roman
youth. All the Roman dancers gave performances masqued, and it was the
custom that in the sacred, as well as in the great dramatic pantomimes
women were excluded, though during the later period of the Empire,
particularly during the reign of Nero, women dancers appeared.
The best known of the ancient Roman pantomimes were those performed
at the festival of Pallas, of Pan and of Dionysus or Bacchus. Juvenal
writes that Bathyllus, having composed a pantomime on the subject of
Jupiter, performed it with such realism that the Roman women were
profoundly moved. The same is said of the dances invented and performed
by Pylades, some of which were later given by the priests of Apollo.
The art of Roman pantomime developed gradually to classic standards and
ranged over the whole domain of mythology, poetry and drama. Dancers,
called _Mimii_, like Bathyllus and Pylades, translated the most subtle
emotions by gestures and poses of extreme graphic power so that their
audiences understood every meaning of their mute language. This plastic
form of mute drama made the dancing of the Romans a great art. The
Emperor Augustus is said to have been a great admirer of Bathyllus, and
so also was Nero. It is said that an African ruler, while the guest
of Nero, was so impressed by the dancer that he said to Nero that he
would like to have such an artist for his court. ‘And what would you
do with him?’ asked the Emperor. ‘I have around me,’ said the other,
‘several neighboring tribes who speak different languages, and as they
are unable to understand mine, I thought, if I had this man with me, it
would be quite possible for him to explain by gesture all that I wished
to express.’
Public-domain text, read in full here on John Shaqi.
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