The Canon, with his falconer, page, and
jester, enters the church door. Death shows
him that his sands have run.
THE JUDGE XVIII
_Der Richter._
Death withdraws the Judge's staff as he takes
a bribe from a rich suitor.
THE ADVOCATE XIX
_Der Fuersprach._
Death comes upon him in the street while he is
being feed by a rich client.
THE COUNSELLOR, OR SENATOR XX
_Der Rathsherr._
The Counsellor, prompted by a devil, is
absorbed by a nobleman, and turns unheeding
from a poor suppliant. But Death, with glass
and spade, is waiting at his feet.
THE PREACHER XXI
_Der Predicant._
Death, in a stole, stands in the pulpit
behind the fluent Preacher, and prepares to
strike him down with a jaw-bone.
THE PRIEST, OR PASTOR XXII
_Der Pfarrherr._
He carries the host to a sick person. But
Death precedes him as his sacristan.
THE MENDICANT FRIAR XXIII
_Der Moench._
Death seizes him just as his begging box and
bag are filled.
THE NUN XXIV
_Die Nonne._
The young Nun kneels at the altar, but turns
to her lover who plays upon a lute. Death
meantime, as a hideous old hag, extinguishes
the altar candles.
THE OLD WOMAN XXV
_Das Altweib._
"_Melior est mors quam vita_" to the aged
woman who crawls gravewards with her bone
rosary while Death makes music in the van.
THE PHYSICIAN XXVI
_Der Arzt._
Death brings him a hopeless patient, and
bids him cure himself.
THE ASTROLOGER XXVII
(_See p. 10, l. 12._)
He contemplates a pendent sphere. But Death
thrusts a skull before his eyes.
THE RICH MAN XXVIII
_Der Reichmann._
Death finds him at his pay-table and seizes
the money.
THE MERCHANT XXIX
_Der Kaufmann._
Death arrests him among his newly-arrived bales.
THE SHIPMAN XXX
_Der Schiffmann._
Death breaks the mast of the ship, and the crew
are in extremity.
THE KNIGHT XXXI
_Der Ritter._
Death, in cuirass and chain-mail, runs him
through the body.
THE COUNT XXXII
_Der Graf._
Death, as a peasant with a flail, lifts away
his back-piece.
THE OLD MAN XXXIII
_Der Altmann._
Death, playing on a dulcimer, leads him into
his grave.
Public-domain text, read in full here on John Shaqi.
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