Quid aureorum me beabit copia. Amore si privata sim dulcissimo. Its companion--Death with his hour-glass stands behind an old woman, who offers money to a youth turning in disdain to his young mistress. At bottom, these lines: JUVENIS. Facie esse quid mihi gratius posset tua Ipsius haud Corinthi gaza divitis. VETULA. Formam quid ah miselle nudam respicis Cum plus beare possit auri copia. MORS. At tu juventa quid torquêre frustra anus Quin jam sepulchri instantis es potius memor. Both oblong, 6 by 4. An engraving by Bosse of a queen reposing on a tent bed, Death peeps in through the curtains, another Death stands at the corner of the bed, whilst a female with a shield, inscribed PIETAS, levels a dart at the queen. Underneath, these verses: Grand Dieu je suis donc le victime Qu'une vengeance legitime Doit immoler à tes autels Je n'ay point de repos qui n'augmente ma peine Et les tristes objets d'une face inhumaine Me sont autant de coups mortels. Oblong, 4-1/2 by 3. An engraving by John Sadeler, after Stradanus, of an old couple, with their children and grandchildren, in the kitchen of a farm-house. Death enters, fantastically crowned with flowers and an hour-glass, and with a bagpipe in his left hand. Round his right arm and body is a chain with a hook at the extremity. He offers his right hand to the old woman, who on her knees is imploring him for a little more delay. In the back-ground, a man conducted to prison; beggars receiving alms, &c. At bottom, these lines: "Pauperibus mors grata venit; redimita corona Florifera, et luctus ultima risus habet." On the top of the print, "O mors bonum est judicium tuum homini indigenti, et qui minoratur viribus defecto ætate, &c." Eccl. cap. xli. Oblong, 11 by 8-1/2. An exceedingly clever etching by Tiepolo of a group of various persons, to whom Death, sitting on the ground and habited grotesquely as an old woman, is reading a lecture. Oblong, 7 by 5-1/2. A small circle, engraved by Le Blond, of Death appearing to the astrologer, copied from the same subject in the Lyons wood-cuts. A print, painted and engraved by John Lyvijus of two card players quarrelling. Death seizes and strikes at them with a bone. Below, Rixas atque odia satagit dispergere serpens, Antiquus, cuncta at jurgia morte cadunt. Oblong, 10 by 7-1/2. An engraving by Langlois. Death with a basket at his shoulder, on which sits an owl, and holding with one hand a lantern, seizes the dice of a gambler sitting at a table with his winnings spread before him. At top, these verses: Alarme O le pipeur, chassez, chassez le moy, Je ne veux pas jouer a la raffle avec toy. LA MORT. A la raffle je joue avec toutes personnes Toutes pieces je prends, tant meschantes que bonnes. At bottom, a dialogue between the gambler and Death, in verse, beginning "J'ay ramenè ma chance il n'y a plus reméde." Upright, 10 by 7-1/2.