A print by De Gheyn, but wanting his name, of an elegantly attired lady, with a feather on her head, and a fan mirror in her hand. She is accompanied by Death handsomely attired, with a similar feather, and holding an hour-glass. At bottom, Qui genio indulges, media inter gaudia morti Non dubiæ certum sis memor esse locum. Upright, 8 by 5-1/2. Hollar's etching in Dugdale's Monasticon and his history of St. Paul's, from the old wood-cut in Lydgate's Dance of Macaber, already described, and an outline copy in Mr. Edwards's publication of Hollar's Dance of Death. Death and two Misers, 11-3/4 by 10. Engraved by Michael Pregel, 1616. At bottom, six Latin lines, beginning "Si mihi divitiæ sint omnes totius orbis." An oblong allegorical print, 14 by 10-1/2. Death and Time at war with man and animals. In the foreground, Death levels three arrows at a numerous group of mortals of all ranks and conditions, who endeavour, in every possible way, to repel his attack. In the back-ground, he shoots a single arrow at various animals. It is a very rare and beautiful engraving by Bolsverd, after Vinck-boons, dated 1610. At bottom, six lines in Latin, by J. Semmius, beginning "Cernis ut imperio succumbant omnia Mortis." An oblong print, 18-1/2 by 13, intitled, "Alle mans vrees," _i. e._ "Every man's terror," and engraved by Cornelius Van Dalen, after Adrian Van Venne. It exhibits Death armed with a spade, and overturning and putting to flight a variety of persons. At bottom, four stanzas of Dutch verses, beginning "Dits de vrees van alle man." A large allegorical oblong engraving, 18-1/2 by 13, by Peter Nolpe, after Peter Potter. On the left, a figure of religion, an angel hovering over her with a crown and palm branch. She points to several figures bearing crosses, and ascending a steep hill to heaven. On the right, the Devil blowing into the ear of a female, representing worldly vanity. In the middle, Death beating a drum to a man and woman dancing. In the back-ground, several groups of people variously employed, and a city in flames. An anonymous Venetian engraving of Death striking a lady sitting at a table covered with various fruits, a lute, &c. She falls into the arms of her lover or protector. Oblong, 9-1/2 by 7. A print, after Martin Heemskirk, of Charon ferrying over souls. On the right, a winged Death supporting an emperor about to enter the fatal boat. Below, four lines, beginning "Sed terris debentur opes, quas linquere fato." An oblong engraving, 14 by 12, after John Cossiers. On the right, Death entering at a door, seizes a young man. In the middle, a music-master teaching a lady the lute, Death near them holding a violin and music-book. On the left, in another apartment, Death in a dancing attitude, with a double bagpipe, leads an aged man with a rosary in his left hand, and leaning on a staff with his right. At bottom, three stanzas of French verses, beginning "La Mort qui n'a point d'oreilles."