So far it may seem scarcely as artists that these travellers regard the Chinese. They insist on their cheerful, practical, social, good-mannered, tolerant, peaceable, humane way of regarding life, on the remarkably educable spirit in which they are willing, and easily able, to change even ancient and deep-rooted habits when it seems convenient and beneficial to do so; they are willing to take the world lightly, and seem devoid of those obstinate conservative instincts by which we are guided in Europe. The “Resident in Peking” says they are the least romantic of peoples. He says it with a _nuance_ of dispraise, but Lowes Dickinson says precisely the same thing about Chinese poetry, and with no such _nuance_: “It is of all poetry I know the most human and the least symbolic or romantic. It contemplates life just as it presents itself, without any veil of ideas, any rhetoric or sentiment; it simply clears away the obstruction which habit has built up between us and the beauty of things and leaves that, showing in its own nature.” Every one who has learnt to enjoy Chinese poetry will appreciate the delicate precision of this comment. The quality of their poetry seems to fall into line with the simple, direct, childlike quality which all observers note in the Chinese themselves. The unsympathetic “Resident in Peking” describes the well-known etiquette of politeness in China: “A Chinaman will inquire of what noble country you are. You return the question, and he will say his lowly province is so-and-so. He will invite you to do him the honour of directing your jewelled feet to his degraded house. You reply that you, a discredited worm, will crawl into his magnificent palace.” Life becomes all play. Ceremony—the Chinese are unequalled for ceremony, and a Government Department, the Board of Rites and Ceremonies, exists to administer it—is nothing but more or less crystallised play. Not only is ceremony here “almost an instinct,” but, it has been said, “A Chinese thinks in theatrical terms.” We are coming near to the sphere of art.