Conduct of life; English essays -- 20th century; Ethics; Philosophy
Art, life as, more difficult to realise than to act, 1, 2;
universe conceived as work of, by the primitive philosopher, 1;
life as, views of finest thinkers of China and Greece on, 2-6,
247-52;
whole conception of, has been narrowed and debased, 6, 7;
in its proper sense, 7, 8;
as the desire for beautification, 8;
of living, has been decadent during the last two thousand years, 8
_n._;
Napoleon in the sphere of, 10;
of living, the Lifuan, 13-18;
of living, the Chinese, 27;
Chinese civilisation shows that human life is, 30;
of living, T’ung’s story the embodiment of the Chinese symbol of, 33;
life identical with, 33-35;
of dancing, 36, 51-67, _see_ Dancing;
of life, a dance, 66, 67;
science and, no distinction between, in classic times, 68;
science and, distinction between, in modern times, 68-70;
science is of the nature of, 71;
represented by Pythagoras as source of science, 74;
Greek, 76 _n._;
of thinking, 68-140, _see_ Thinking;
the solution of the conflicts of philosophy in, 82, 83;
philosophy and, close relationship of, 83-85;
impulse of, transformed sexual instinct, 108-12;
and mathematics, 138-40;
of writing, 141-190, _see_ Writing;
Man added to Nature, is the task in, 153;
the freedom and the easiness of, do not necessarily go together, 182;
of religion, 191-243, _see_ Religion;
of morals, 244-84, _see_ Morals;
the critic of, a critic of life, 269;
civilisation is an, 301, 310;
consideration of the question of the definition of, 310-12;
Nature and, 312, 313;
the sum of the active energies of mankind, 313;
and æsthetics, the unlikeness of, 314, 315, 325-28;
a genus, of which morals is a species, 316;
each, has its own morality, 318;
to assert that it gives pleasure a feeble conclusion, 319;
on the uselessness of, according to Schopenhauer and others, 319-21;
meaninglessness of the statement that it is useless, 322;
sociological function of, 323, 324;
philosophers have failed to see that it has a morality of its own,
324, 325;
for art’s sake, 346, 347.
Artist, partakes of divine nature of creator of the world, 2;
Napoleon as an, 10-12;
the true scientist as, 72, 73, 112;
the philosopher as, 72, 73, 85;
explanation of, 108-12;
Bacon’s definition of, Man added to Nature, 153;
makes all things new, 153;
in words, passes between the plane of new vision and the plane of new
creation, 170, 178;
life always a discipline for, 277;
lays up his treasure in Heaven, 307;
Man as, 310;
is a maker, 312;
Aristotle’s use of the term, 313;
reveals Nature, 320;
has to effect a necessary Bovarism, 348, 349.
Artistic creation, the process of its birth, 108, 109.
Arts, sometimes classic and sometimes decadent, 8 _n._;
and sciences, 68-70;
Master of, 69.
“Arty” people, 6, 7.
Public-domain text, read in full here on John Shaqi.
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