Rutherford, Sir Ernest, on the atomic constitution, 97 _n._ St. Augustine, 79, 202; on the art of living well, 252. St. Basil, on the dancing of the angels, 43. St. Bonaventura, said to have been author of “Diet a Salutis,” 43. St. Denis, Ruth, 60. St. Theresa, and Darwin, 198, 199. Salome, the dance of, 49. _Salt_, intellectual and moral suggestion of the word, 263, 263 _n._, 264. Salt, Mr., 169. Salter, W. M., his _Nietzsche the Thinker_, 335 _n._ Samoa, sacred position of carpenter in, 2. Sand, George, on civilisation, 300. Santayana, Professor George, on union of æsthetic sense with artistic instinct, 350 _n._ Schelling, F. W. J. von, 90; on philosophy and poetry, 83. Schiller, Friedrich von, influence on Vaihinger, 89; and the æsthetic conception of morals, 275. Schleiermacher, Friedrich, 90. Schmidt, Dr. Raymund, 93 _n._ Schopenhauer, Arthur, 330 _n._; his influence on Vaihinger, 90; as regards his quotations, 152; morals based on sympathy, according to, 272; on the uselessness of art, 319; on the man of genius, 320; on sociological function of art, 323; on the proper way of looking at pictures, 329 _n._; on the world as a spectacle, 334. Science, spirit of modern, in Protagoras, 4; as the search for the reason of things, 8; and poetry, no sharp boundary between, 102, 128, 129; impulse to, and the sexual instinct, 112; intuition and invention needed by, 137; and mysticism, supposed difference between, 191-203; what is meant by, 192; and art, no distinction between, in classic times, 68; and art, distinction between, in modern times, 68-70; definitions of, 70, 71; is of the nature of art, 71; the imaginative application of, 72; Pythagoras represents the beginning of, 74; control of Nature through oneness with Nature, at the heart of, 194; relation of, to magic and religion, 194-96; and pseudo-science, 199-202; and mysticism, the harmony of, as revealed in human history, 203-08; and mysticism, the harmony of, as supported by personal experience of Havelock Ellis, 209-18; and mysticism, how they came to be considered out of harmony, 226-35; traditions of, 228; the instinct of, 234; and mysticism, harmony of, summary of considerations confirming, 235, 236; is not religion, 238-40; not pursued for useful ends, 322; for science’s sake, 347. Sciences, and arts, 68-70; biological and social, fiction in, 99; mathematical impetus given to, toward end of seventeenth century, 180; biological, awakening of, 181; mathematical, renaissance of, 181. Scientist, the true, an artist, 72, 73, 112, 126; curiosity the stimulus of, 104, 105; the false, 125, 126; who turns to religion, 199-201. Scott, W. R., on art and æsthetics, 326 _n._ Scottish School, the, 267. Sculpture, painting, and the arts of design, 36; civilisation measured by standard of, 308.