Seises, the, the dance of, 44 _n._ Selous, Edmund, 36 _n._ Semon, Professor, R., 351 _n._ “Sense,” Hutcheson’s conception of, 274. Seville, cathedral of, dancing in, 44. Sex, instinct of, a reaction to the stimulus of curiosity, 104; early questions concerning, 105-07; source of art impulse, 108-12; and the scientific interest, 112; not absolutely essential, 234. Sexual imagery, strain of, in thought, 113. “Shadow,” 219 _n._ Shaftesbury, Earl of, influence on Kant, 254; illustrated unsystematic method of thinking, 259; his book, 260; his theory of Æsthetic Intuitionism, 260; his affinity to the Greeks, 260; his early life, 261; his idea of goodness, 262; his principles expounded, 264-66; his influence on later writers and thinkers, 266; his influence on our modern morality, 266, 267; the greatest Greek of modern times, 267, 271; his service to the modern world, 267; measure of his recognition in Scotland and England, 267; recognition of, abroad, 268, 269; made no clear distinction between creative artistic impulse and critical æsthetic appreciation, 270; realised that reason cannot affect appetite, 270; one of the founders of æsthetics, 271; his use of the term “moral sense,” 273, 274; temperamentally a Stoic, 279; of the æsthetic contemplative temperament, 332, 333. Shakespeare, William, 148; his style compared with that of Bacon, 160; affected by the intoxication of words, 167; stored up material to be used freely later, 170, 171; the spelling of his name by himself, 173; surpasses contemporaries in flexibility and intimacy, 184; Tolstoy’s opinion of, 311; on Nature and art, 312, 313; his figure of Prospero, 331. Shamans, the, religious dances among, 40, 41; their wills brought into harmony with the essence of the world, 193; double attitude of, 194. Sharp, F. C., on Hutcheson, 327 _n._ Shelley, P. B., mysticism in poetry of, 237; on imagination and morality, 238. Sidgwick, Henry, 255, 314. Singer, Dr. Charles, his definition of science, 70, 71. Singing, relation to music and dancing, 62. Silberer, Herbert, on magic and science, 195. Simcox, Edith, her description of conversion, 218 _n._ Skene, on dances among African tribes, 38. Slezakova, Anna, the polka extemporised by, 60. Smith, Adam, his “economic man,” 99; morals based on sympathy, according to, 272; influenced by Hutcheson, 275. Smith, Arthur H., his book _Chinese Characteristics_, 23 _n._ Social capillarity, 298. Social ladder, 298, 299. Social statistics, 286-88. Socialists, French, inspired by Shaftesbury, 269. Socrates, the Platonic, 75, 78; Grote’s chapter on, 76; the real and the legendary, 76, 79, 82; three elements in our composite portrait of, 77-79; the Platonic, and the Gospel Jesus, 82, 83; on philosophy and music, 179; his view of the moralist, 248.