Under the direction of Professor G. H. Parker, Doctor Karl Waugh has examined the structure of the retina of the dancing mouse for me, with the result that only a single type of retinal element was discovered. Apparently the animals possess rod-like cells, but nothing closely similar to the cones of the typical mammalian retina. This is of peculiar interest and importance in connection with the results which I have reported in the foregoing pages, because the rods are supposed to have to do with brightness or luminosity vision and the cones with color vision. In fact, it is usually supposed that the absence of cones in the mammalian retina indicates the lack of color vision. That this inference of functional facts from structural conditions is correct I am by no means certain, but at any rate all of the experiments which I have made to determine the visual ability of the dancer go to show that color vision, if it exists at all, is extremely poor. It is gratifying indeed to learn, after such a study of behavior as has just been described, that the structural conditions, so far as we are able to judge at present, justify the conclusions which have been drawn. CHAPTER XI THE ROLE OF SIGHT IN THE DAILY LIFE OF THE DANCER Darting hither and thither in its cage, whirling rapidly, now to the left, now to the right, running in circles, passing through holes in the nest box quickly and neatly, the dancer, it would seem, must have excellent sight. But careful observation of its behavior modifies this inference. For it appears that a pair of mice dancing together, or near one another, sometimes collide, and that it is only those holes with which the animal is familiar that are entered skillfully. In fact, the longer one observes the behavior of the dancer under natural conditions, the more he comes to believe in the importance of touch, and motor tendencies. Sight, which at first appears to be the chief guiding sense, comes to take a secondary place. In this chapter it is my purpose to show by means of simple experiments what part sight plays in the dancer's life of habit formation. The evidence on this subject has been obtained from four sources: (1) observation of the behavior of dancers in their cages; (2) observation of their behavior when blinded; (3) observation of their behavior in a great variety of discrimination experiments, many of which have already been described; and (4) observation of their behavior in labyrinth experiments which were especially planned to exhibit the importance of the several kinds of vision which the dancer might be supposed to possess. The evidence from the first three of these sources may be presented summarily, for much of it has already appeared in earlier chapters. That from the fourth source will constitute the bulk of the material of this chapter.