The Dancing Mouse: A Study in Animal BehaviorYerkes, Robert Mearns
Science
The Dancing Mouse: A Study in Animal Behavior
Yerkes, Robert Mearns
Animal behavior; Dancing mice
Methods of keeping and caring for dancers--Cages, nest-boxes, and
materials for nest--Cleansing cages--Food supply and feeding--Importance
of cleanliness, warmth, and pure food--Relations of males and females,
fighting--The young, number in a litter--Care of young--Course of
development--Comparison of young of dancer with young of common mouse--
Diary account of the course of development of a typical litter of dancers.
CHAPTER III
BEHAVIOR: DANCE MOVEMENTS
Dancing--Restlessness and excitability--Significance of restlessness--
Forms of dance: whirling, circling, and figure-eights--Direction of
whirling and circling: right whirlers, left whirlers, and mixed whirlers--
Sex differences in dancing--Time and periodicity of dancing--Influence of
light on activity--Necessity for prolonged observation of behavior.
CHAPTER IV
BEHAVIOR: EQUILIBRATION AND DIZZINESS
Muscular coordination--Statements of Cyon and Zoth concerning behavior--
Control of movements, orientation, equilibration, movement on inclined
surfaces, climbing--The tracks of the dancer--Absence of visual
dizziness--Comparison of the behavior of the dancer with that of the
common mouse when they are rotated in a cyclostat--Behavior of blinded
dancers (Cyon, Alexander and Kreidl, Kishi)--Cyon's two types of dancer--
Phenomena of behavior for which structural bases are sought: dance
movements; lack of response to sounds; deficiency in equilibrational
ability; lack of visual and rotational dizziness.
CHAPTER V
STRUCTURAL PECULIARITIES AND BEHAVIOR
The functions of the ear--Structure of the ear of the dancer as described
by Rawitz, by Panse, by Baginsky, by Alexander and Kreidl, and by Kishi--
Cyon's theory of the relation of the semicircular canals to space
perception--Condition of the auditory organs--Condition of the
equilibrational organs--Condition of the sound-transmitting organs--The
bearing of the results of anatomical investigations upon the facts of
behavior.
CHAPTER VI
THE SENSE OF HEARING
Experiments on hearing in the dancer made by Rawitz, by Panse, by Cyon, by
Alexander and Kreidl, by Zoth, and by Kishi--Hearing and the voice--
Methods of testing sensitiveness to sounds--Results of tests with adults--
Importance of indirect method of experimentation--Results of tests with
young--The period of auditory sensitiveness--Individual differences.
CHAPTER VII
THE SENSE OF SIGHT: BRIGHTNESS VISION
What is known concerning sight in the dancer--Brightness vision and color
vision--Methods of testing brightness vision, the visual discrimination
apparatus--Motives for discrimination and choice--Punishment versus reward
as an incentive in animal experiments--Hunger as an incentive--An electric
stimulus as an incentive--Conditions for brightness vision tests--
White-black vision--Evidence of preference--Check experiments--Conclusion.
CHAPTER VIII
THE SENSE OF SIGHT: BRIGHTNESS VISION (_Continued_)
Public-domain text, read in full here on John Shaqi.
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