The Dancing Mouse: A Study in Animal BehaviorYerkes, Robert Mearns
Science
The Dancing Mouse: A Study in Animal Behavior
Yerkes, Robert Mearns
Animal behavior; Dancing mice
One of the most interesting results of this study of the direction of
turning, from the observer's point of view, is the demonstration of the
fact that the truth concerning even so simple a matter as this can be
discovered only by long and careful observation. The casual observer of
the dancer gets an impression that it turns to the left more often than to
the right; he verifies his observation a few times and then asserts with
confidence that such is the truth about turning. That such a method of
getting knowledge of the behavior of the animal is worse than valueless is
clear in the light of the results of the systematic observations which
have just been reported. But, however important the progress which we may
have made by means of systematic observation of the phenomenon of turning,
it must not for one moment be supposed that the whole truth has been
discovered. Continued observation will undoubtedly reveal other important
facts concerning circling, whirling, and the periodicity of dancing, not
to mention the inheritance of peculiarities of dancing and the
significance of the various forms of activity.
CHAPTER IV
BEHAVIOR: EQUILIBRATION AND DIZZINESS
Quite as interesting and important as the general facts of behavior which
we have been considering are the results of experimental tests of the
dancer's ability to maintain its position under unusual spatial
conditions--to climb, cross narrow bridges, balance itself on high places.
Because of its tendency to circle and whirl, to dart hither and thither
rapidly and apparently without control of its movements, the study of the
mouse's ability to perform movements which demand accurate and delicate
muscular coördination, and to control its expressions of activity, are of
peculiar scientific interest.
That observers do not entirely agree as to the facts in this field is
apparent from the following comparison of the statements made by Cyon and
Zoth (31 p. 174).
Cyon states that the dancer
Cannot run in a straight line,
Cannot turn in a narrow space,
Cannot run backward,
Cannot run up an incline,
Cannot move about safely when above the ground, because of
fear and visual dizziness,
Can hear certain tones.
Zoth, on the contrary, maintains that the animal
Can run in a straight line for at least 20 cm.,
Can and repeatedly does turn in a narrow space,
Can run backward, for he has observed it do so,
Can run up an incline unless the surface is too smooth for it to
gain a foothold,
Can move about safely when above the ground, and gives no
signs of fear or dizziness,
Cannot hear, or at least gives no signs of sensitiveness to sounds.
Public-domain text, read in full here on John Shaqi.
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