Gold mines and mining -- Fiction; Man-woman relationships -- Fiction; Married people -- Fiction; New England -- Fiction
His face quivered with concern; in spite of her words he drew near
her again, repeating the fact that he had been judged, released. Olive
Stanes' hysteria vanished before the cold stability which came to her
assistance, the sense of being rooted in her creed.
“'Thou shalt not kill,'” she echoed.
The emotion faded from his features, his countenance once more became
masklike, the jaw was hard and sharp, his eyes narrowed. “It's all over
then?” he asked. She nodded, her lips pinched into a white line.
“What else could be hoped? Blood guiltiness. O Jason, pray to save your
soul.”
He moved over to where his high silk hat reposed, secured it, and
turned. “This will be final.” His voice was hard. Olive stood slightly
swaying, with closed eyes. Then she remembered the buckskin bag of
not yellow but scarlet gold. She stumbled forward to it and thrust the
weight into his hand. Jason Burrage's fingers closed on the gift, while
his gaze rested on her from under contracted brows. He was, it seemed,
about to speak, but instead preserved an intense silence; he looked once
more about the room, still and old in its lamplight. Why didn't he go?
Then she saw that she was alone:
Like the eternal rock outside the door.
From above came the clear, joyous voice of Rhoda singing. Olive crumpled
into a chair. Soon Jem would be back.... She turned and slipped down
upon the floor in an agony of prayer.
HONORA
|HONORA CANDERAY saw Jason Burrage on the day after his arrival in
Cotarsport: he was walking through the town with a set, inattentive
countenance; and, although she was in the carriage and leaned forward,
speaking in her ringing voice, it was evident that he had not noticed
her. She thought his expression gloomy for a man returned with a fortune
to his marriage. Honora still dwelt upon him as she slowly progressed
through the capricious streets and mounted toward the hills beyond. He
presented, she decided, an extraordinary, even faintly comic, appearance
in Cottarsport, with a formal black coat open on a startling waistcoat
and oppressive gold chain, pale trousers and a silk hat.
Such clothes, theatrical in effect, were inevitable to his changed
condition and necessarily stationary taste. Yet, considering, she
shifted the theatrical to dramatic: in an obscure but palpable manner
Jason did not seem cheap. He never had in the past And now, while
his inappropriate overdressing in the old town of loose and weathered
raiment brought a smile to her firm lips, there was still about him
the air which from the beginning had made him more noticeable than his
fellows. It had even been added to--by the romance of his journey and
triumph.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account