Could Sylvia not let him keep both her love and the girl's? Could she
not bear that? She had said she could; but her face, her eyes, her voice
gave her the lie, so that every time he heard her his heart turned sick
with pity. This, then, was the real issue. Could he accept from her such
a sacrifice, exact a daily misery, see her droop and fade beneath it?
Could he bear his own happiness at such a cost? Would it be happiness
at all? He got up from the chair and crept towards her. She looked very
fragile sleeping there! The darkness below her closed eyelids showed
cruelly on that too fair skin; and in her flax-coloured hair he saw what
he had never noticed—a few strands of white. Her softly opened lips,
almost colourless, quivered with her uneven breathing; and now and
again a little feverish shiver passed up as from her heart. All soft and
fragile! Not much life, not much strength; youth and beauty slipping! To
know that he who should be her champion against age and time would day
by day be placing one more mark upon her face, one more sorrow in her
heart! That he should do this—they both going down the years together!
As he stood there holding his breath, bending to look at her, that
slurring swish of the plane-tree branch, flung against and against the
window by the autumn wind, seemed filling the whole world. Then her
lips moved in one of those little, soft hurrying whispers that unhappy
dreamers utter, the words all blurred with their wistful rushing.
And he thought: I, who believe in bravery and kindness; I, who hate
cruelty—if I do this cruel thing, what shall I have to live for; how
shall I work; how bear myself? If I do it, I am lost—an outcast from my
own faith—a renegade from all that I believe in.
And, kneeling there close to that face so sad and lonely, that heart so
beaten even in its sleep, he knew that he could not do it—knew it
with sudden certainty, and a curious sense of peace. Over!—the long
struggle—over at last! Youth with youth, summer to summer, falling leaf
with falling leaf! And behind him the fire flickered, and the plane-tree
leaves tap-tapped.
He rose, and crept away stealthily downstairs into the drawing-room, and
through the window at the far end out into the courtyard, where he had
sat that day by the hydrangea, listening to the piano-organ. Very dark
and cold and eerie it was there, and he hurried across to his studio.
There, too, it was cold, and dark, and eerie, with its ghostly plaster
presences, stale scent of cigarettes, and just one glowing ember of the
fire he had left when he rushed out after Nell—those seven hours ago.
Public-domain text, read in full here on John Shaqi.
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