Quite simply she began to plan what he and she would do. There were six
days left. They had not yet been to Gorbio, nor to Castellar—none of
those long walks or rides they had designed to do for the beauty of
them. Would he come early to-morrow? What could they do together? No one
should know what these six days would be to her—not even he. To be with
him, watch his face, hear his voice, and now and then just touch him!
She could trust herself to show no one. And then, it would be—over!
Though, of course, she would see him again in London.
And, lying there in the dark, she thought of their first meeting, one
Sunday morning, in Hyde Park. The Colonel religiously observed Church
Parade, and would even come all the way down to Westminster, from his
flat near Knightsbridge, in order to fetch his niece up to it. She
remembered how, during their stroll, he had stopped suddenly in front of
an old gentleman with a puffy yellow face and eyes half open.
“Ah! Mr. Heatherley—you up from Devonshire? How's your
nephew—the—er—sculptor?”
And the old gentleman, glaring a little, as it seemed to her, from
under his eyelids and his grey top hat, had answered: “Colonel Ercott,
I think? Here's the fellow himself—Mark!” And a young man had taken
off his hat. She had only noticed at first that his dark hair grew—not
long—but very thick; and that his eyes were very deep-set. Then she saw
him smile; it made his face all eager, yet left it shy; and she decided
that he was nice. Soon after, she had gone with the Ercotts to see his
'things'; for it was, of course, and especially in those days, quite an
event to know a sculptor—rather like having a zebra in your park.
The Colonel had been delighted and a little relieved to find that the
'things' were nearly all of beasts and birds. “Very interestin'” to one
full of curious lore about such, having in his time killed many of them,
and finding himself at the end of it with a curious aversion to killing
any more—which he never put into words.
Acquaintanceship had ripened fast after that first visit to his studio,
and now it was her turn to be relieved that Mark Lennan devoted himself
almost entirely to beasts and birds instead of to the human form,
so-called divine. Ah! yes—she would have suffered; now that she loved
him, she saw that. At all events she could watch his work and help it
with sympathy. That could not be wrong....
Public-domain text, read in full here on John Shaqi.
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