Male friendship -- Fiction; Man-woman relationships -- Fiction; New York (N.Y.) -- Fiction; Young men -- Fiction
Each of these human beings seemed to have a passion: it was the burden
of all their words. They could talk nothing else. They could partake of
nothing foreign to their passion. If they could have changed their
pasts, they might have spoken a different thing. David, relaxed in the
play of words and rain, saw how the faces of these men and women were
stamps of life: how life had branded each as with a burning iron.
He thought of his mother. Did she have a mark and a passion also? David
was out of the group on the porch. Its passionate tourneys of talk were
far away and yet their character was sharp. When he awoke in the morning
in the room that had always been his--he would never see it again--he
sat up in his bed, he looked about at the strange salience of familiar
objects. The yellow oak bureau, the picture of Washington crossing the
Delaware, his own black boots, his own gray cap stood forth with an
uncanny clearness as if he had come from a two-dimensioned world. This
feeling passed. Now here it was again, as he listened to words. He had
it watching away at the drenched woods and the lake. His neighbors,
tense in their chairs, took on the conciseness of automata. He felt them
pour into words, he felt the unease of their restraint when they were
interrupted, forced to listen to another, he felt how they crouched in
these forced silences and hurled themselves back into speech at the
first hint of pause. In silence they lay flopping like fishes out of
water. Words were their element.... And David saw the breathing of the
woods, the warm comfort of trees that had grown up together and knew
their silences. They were clothed in a sweet sanctity of resolve and
repose. They took the rain with faint bowed heads. They were alive, in
David, and very thoughtful. For suddenly they too were remote. They too
had the sharpness of the completely strange.
David had slipt from the reality of men and nature. He thought of his
mother. All life about him was marvelous and clear like the objects in
his old room--he would never see it again--when he saw them with eyes
still full of his night’s dream.
She had died that May. Until a few years ago she had talked a great deal
with him. Their talk dwindled. The open space of their few words became
an easeful place for him to lie in. He withdrew more and more to it. She
died almost silent.
They lived together in the white house where he remembered his father.
His father left his violin, left always David’s picture of him. A heavy
and loose man, ashift in his clothes, with long dead hands that came
alive, at times, playing gigues. Then his feet danced along and his
mother’s eyes were rigid. David played his violin when it was all of him
left. He looked at his hands and began to play out of tune. His mother
had no ear for that. She said: “Why do ye stop, dear?” “Mother,” he
said, “aren’t my hands fat and childish?”
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account