The other made no answer; he swerved the car abruptly off the avenue,
into one of the nondescript side streets. He drove swiftly to the
corner, turned south again, and turned again on some street Pat failed
to identify--South Superior or Grand, she thought. They were scarcely
a block from the magnificence of Michigan Avenue and its skyscrapers,
its brilliant lights, and its teeming night traffic, yet here they
moved down a deserted dark thoroughfare, a street lined with ramshackle
wooden houses intermingled with mean little shops.
"Nick!" Pat exclaimed. "Where are we going?"
The low voice sounded. "Dancing," he said.
He brought the car to the curb; in the silence as the motor died, the
faint strains of a mechanical piano sounded. He opened the car door,
stepped around to the sidewalk.
"We're here," he said.
Something metallic in his tone drew Pat's eyes to his face. The eyes
that returned her stare were the bloody orbs of the demon of last
Wednesday night!
8
Gateway to Evil
Pat stared curiously at the apparition but made no move to alight from
the vehicle. She was conscious of no fear, only a sense of wonder
and perplexity. After all, this was merely Nick, her own harmless,
adoring Nick, in some sort of mysterious masquerade, and she felt full
confidence in her ability to handle him under any circumstances.
"Where's here?" she said, remaining motionless in her place.
"A place to dance," came the toneless reply.
Pat eyed him; a street car rumbled past, and the brief glow from its
lighted windows swept over his face. Suddenly the visage was that
of Nick; the crimson glare of the eyes was imperceptible, and the
features were the well-known appurtenances of Nicholas Devine, but
queerly tensed and strained.
"A trick of the light," she thought, as the street car lumbered away,
and again a faint gleam of crimson appeared. She gazed curiously at the
youth, who stood impassively returning her survey as he held the door
of the car. But the face was the face of Nick, she perceived, probably
in one of his grim moods.
She transferred her glance to the building opposite which they had
stopped. The strains of the mechanical piano had ceased; blank,
shaded windows faced them, around whose edges glowed a subdued light
from within. A drab, battered, paintless shack, she thought, dismal
and unpleasant; while she gazed, the sound of the discordant music
recommenced, adding, it seemed, the last unprepossessing item.
"It doesn't look very attractive, Nick," she observed dubiously.
"I find it so, however."
"Then you've been here?"
"Yes."
"But I thought you said you didn't know any place to go."
"This one hadn't occurred to me--then."
"Well," she said crisply, "I could have done as well as this with my
eyes closed. It doesn't appeal to me at all, Nick."
"Nevertheless, here's where we'll go. You're apt to find
it--interesting."
"Look here, Nicholas Devine!" Pat snapped, "What makes you think you
can bully me? No one has ever succeeded yet!"
Public-domain text, read in full here on John Shaqi.
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