He clutched her hair more tightly; abruptly he bent over her, pressing
his mouth to hers. Her bruised lips burned with pain at the fierce
pressure of his; she felt a sharp anguish at the impingement of his
teeth. Yet the cloudy pall of dizziness about her was unbroken; she was
too frightened and bewildered for resistance.
"Blood on your lips!" he repeated exultingly. "Now is the beauty of
evil!"
"Nicholas," she said wearily, clinging desperately to a remnant of
logic, "what do you want of me? Tell me what you want and then let me
go home."
"I want to show you the face of evil," he said. "I want you to know the
glory of evil, the loveliness of supreme evil!"
He dragged his chair around the table, placing it beside her. Seated,
he drew her into his arms, where she lay passive, too limp and
befuddled to resist. With a sudden movement, he turned her so that her
back rested across his knees, her face gazing up into his. He stared
intently down at her, and the light, shining at an angle into his eyes,
suddenly struck out the red glow that lingered in them.
"I want you to know the power of evil," he murmured. "The irresistible,
incomprehensible fascination of it, and the unspeakable pleasures of
indulgence in it."
Pat scarcely heard him; she was struggling now in vain against the
overwhelming fumes of the alcohol she had consumed. The room was
wavering around her, and behind her despair and terror, a curious
elation was thrusting itself into her consciousness.
"Evil," she echoed vaguely.
"Blood on your lips!" he muttered, peering down at her. "Taste the
unutterable pleasure of kisses on bloody lips; drain the sweet anguish
of pain, the fierce delight of suffering!"
He bent down; again his lips pressed upon hers, but this time she felt
herself responding. Some still sane portion of her brain rebelled,
but the intoxication of sense and alcohol was dominant. Suddenly she
was clinging to him, returning his kisses, glorying in the pain of her
lacerated lips. A red mist suffused her; she had no consciousness of
anything save the exquisite pain of the kiss, that somehow contrived
to transform itself into an ecstacy of delight. She lay gasping as the
other withdrew his lips.
"You see!" he gloated. "You understand! Evil is open to us, and all the
unutterable pleasures of the damned, who cry out in transports of joy
at the bite of the flames of Hell. Do you see?"
The girl made no answer, sobbing in a chaotic mingling of pain and
excruciating pleasure. She was incapable of speech or connected
thought; the alcohol beat against her brain with a persistence that
defied resistance. After a moment, she stirred, struggling erect to a
sitting posture.
"Evil!" she said dizzily. "Evil and good--what's difference? All in a
lifetime!"
She felt a surge of tipsy elation, and then the muffled music of the
mechanical piano, drifting through the closed door, penetrated her
befuddled consciousness.
Public-domain text, read in full here on John Shaqi.
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