But the girl, laughing no longer, leaned pale and weak against a
low board fence. Her limbs seemed paralyzed, and movement was quite
impossible. She was conscious of neither the blow nor the shaking, but
only of a devastating nausea and an all-encompassing weakness. She bent
over the fence; she was violently ill.
Then the nausea had vanished, and a weariness, a strange lassitude, was
all that remained. Nicholas Devine stood over her; suddenly he pressed
her body to him in a convulsive embrace, so that her head dropped back,
and his face loomed above her, obliterating the stars.
"Ah!" he said. He seemed about to kiss her when a
sound--voices--filtered out of somewhere in the maze of dark courts
and littered yards along the alley. He released her, seized her wrist,
and once more she was stumbling wretchedly behind him over the uneven
surface of the cobblestones.
A numbness had come over her; consciousness burned very low as she
wavered doggedly along through the darkness. She perceived dimly that
they were approaching the end of the alley; the brighter glow of the
street loomed before them, and a passing motor car cut momentary
parallel shafts of luminescence across the opening.
Nicholas Devine slowed his pace, still clutching her wrist in a cold
grip; he paused, moving cautiously toward the corner of the building.
He peered around the edge of the structure, surveying the now deserted
street, while Pat stood dully behind him, incapable alike of thought or
voluntary movement, clutching desperately at the dirty cloth that hung
about her shoulders.
Her companion finished his survey; apparently satisfied that progress
was safe, he dragged her after him, turning toward the corner beyond
which his car was parked. The girl staggered behind him with
diminishing vigor; consciousness was very nearly at the point of
disappearance, and her steps were wavering unsteadily, and doggedly
slow. She dragged heavily on his arm; he gave a gesture of impatience
at her weakness.
"Come on!" he growled. "We're just going to the corner." His voice rose
slightly in pitch, still sounding harsh as rasping metals. "There still
remains the ultimate evil!" he said. "There is still a depth of beauty
unplumbed, a pain whose exquisite pleasure is yet to find!"
They approached the corner; abruptly Nicholas Devine drew back as two
figures came unexpectedly into view from beyond it. He turned back
toward the alley-way, dragging the girl in a dizzy circle. He took a
few rapid steps.
But Pat was through, exhausted. At his first step she stumbled and
sprawled, dragging prone behind him. He released her hand and turned
defiantly to face the approaching men, while the girl lying on the
pavement struggled to a sitting posture with her back against the wall.
She turned dull, indifferent eyes on the scene, then was roused to a
somewhat higher pitch of interest by the sound of a familiar voice.
"There he is! I told you it was his car."
Public-domain text, read in full here on John Shaqi.
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