The Darling and Other StoriesChekhov, Anton Pavlovich
General
The Darling and Other Stories
Chekhov, Anton Pavlovich
Chekhov, Anton Pavlovich, 1860-1904 -- Translations into English; Russia -- Social life and customs -- Fiction
The scene of my story is laid in the Moscow province in one of its
northern districts. The scenery there, I must tell you, is exquisite.
Our homestead is on the high bank of a rapid stream, where the water
chatters noisily day and night: imagine a big old garden, neat
flower-beds, beehives, a kitchen-garden, and below it a river with
leafy willows, which, when there is a heavy dew on them, have a
lustreless look as though they had turned grey; and on the other
side a meadow, and beyond the meadow on the upland a terrible, dark
pine forest. In that forest delicious, reddish agarics grow in
endless profusion, and elks still live in its deepest recesses.
When I am nailed up in my coffin I believe I shall still dream of
those early mornings, you know, when the sun hurts your eyes: or
the wonderful spring evenings when the nightingales and the landrails
call in the garden and beyond the garden, and sounds of the harmonica
float across from the village, while they play the piano indoors
and the stream babbles . . . when there is such music, in fact,
that one wants at the same time to cry and to sing aloud.
We have not much arable land, but our pasture makes up for it, and
with the forest yields about two thousand roubles a year. I am the
only son of my father; we are both modest persons, and with my
father's pension that sum was amply sufficient for us.
The first three years after finishing at the university I spent in
the country, looking after the estate and constantly expecting to
be elected on some local assembly; but what was most important, I
was violently in love with an extraordinarily beautiful and fascinating
girl. She was the sister of our neighbour, Kotlovitch, a ruined
landowner who had on his estate pine-apples, marvellous peaches,
lightning conductors, a fountain in the courtyard, and at the same
time not a farthing in his pocket. He did nothing and knew how to
do nothing. He was as flabby as though he had been made of boiled
turnip; he used to doctor the peasants by homeopathy and was
interested in spiritualism. He was, however, a man of great delicacy
and mildness, and by no means a fool, but I have no fondness for
these gentlemen who converse with spirits and cure peasant women
by magnetism. In the first place, the ideas of people who are not
intellectually free are always in a muddle, and it's extremely
difficult to talk to them; and, secondly, they usually love no one,
and have nothing to do with women, and their mysticism has an
unpleasant effect on sensitive people. I did not care for his
appearance either. He was tall, stout, white-skinned, with a little
head, little shining eyes, and chubby white fingers. He did not
shake hands, but kneaded one's hands in his. And he was always
apologising. If he asked for anything it was "Excuse me"; if he
gave you anything it was "Excuse me" too.
Public-domain text, read in full here on John Shaqi.
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