The Darling and Other StoriesChekhov, Anton Pavlovich
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The Darling and Other Stories
Chekhov, Anton Pavlovich
Chekhov, Anton Pavlovich, 1860-1904 -- Translations into English; Russia -- Social life and customs -- Fiction
"I have come to ask you a favour," he began, addressing Klotchkov,
and glaring like a wild beast from under the long locks that hung
over his brow. "Do me a favour; lend me your young lady just for a
couple of hours! I'm painting a picture, you see, and I can't get
on without a model."
"Oh, with pleasure," Klotchkov agreed. "Go along, Anyuta."
"The things I've had to put up with there," Anyuta murmured softly.
"Rubbish! The man's asking you for the sake of art, and not for any
sort of nonsense. Why not help him if you can?"
Anyuta began dressing.
"And what are you painting?" asked Klotchkov.
"Psyche; it's a fine subject. But it won't go, somehow. I have to
keep painting from different models. Yesterday I was painting one
with blue legs. 'Why are your legs blue?' I asked her. 'It's my
stockings stain them,' she said. And you're still grinding! Lucky
fellow! You have patience."
"Medicine's a job one can't get on with without grinding."
"H'm! . . . Excuse me, Klotchkov, but you do live like a pig! It's
awful the way you live!"
"How do you mean? I can't help it. . . . I only get twelve roubles
a month from my father, and it's hard to live decently on that."
"Yes . . . yes . . ." said the artist, frowning with an air of
disgust; "but, still, you might live better. . . . An educated man
is in duty bound to have taste, isn't he? And goodness knows what
it's like here! The bed not made, the slops, the dirt . . . yesterday's
porridge in the plates. . . Tfoo!"
"That's true," said the student in confusion; "but Anyuta has had
no time to-day to tidy up; she's been busy all the while."
When Anyuta and the artist had gone out Klotchkov lay down on the
sofa and began learning, lying down; then he accidentally dropped
asleep, and waking up an hour later, propped his head on his fists
and sank into gloomy reflection. He recalled the artist's words
that an educated man was in duty bound to have taste, and his
surroundings actually struck him now as loathsome and revolting.
He saw, as it were in his mind's eye, his own future, when he would
see his patients in his consulting-room, drink tea in a large
dining-room in the company of his wife, a real lady. And now that
slop-pail in which the cigarette ends were swimming looked incredibly
disgusting. Anyuta, too, rose before his imagination--a plain,
slovenly, pitiful figure . . . and he made up his mind to part with
her at once, at all costs.
When, on coming back from the artist's, she took off her coat, he
got up and said to her seriously:
"Look here, my good girl . . . sit down and listen. We must part!
The fact is, I don't want to live with you any longer."
Anyuta had come back from the artist's worn out and exhausted.
Standing so long as a model had made her face look thin and sunken,
and her chin sharper than ever. She said nothing in answer to the
student's words, only her lips began to tremble.
Public-domain text, read in full here on John Shaqi.
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