"Every sleeper is loaded to the decks," returned O'Brien. "This is the
most comfortable place you'll find."
"No, I'll go forward into the chair-car," replied Glover. "Good-night."
"Stop, Mr. Glover; if you're bound to go, the Lalla Rookh car right
behind this is dead, but there's steam on. Go into the stateroom and
throw yourself on the couch. This is the porter here asleep."
"William, your advice is good. I've taken it too long to disregard it
now," said Glover, picking up his bag. "Good-night."
But it was not a good night; it was a bad night, and getting worse as
Number One dipped into it. Out of the northwest it smoked a ragged,
wet fog down the pass, and, as they climbed higher, a bitter song from
the Teton way heeled the sleepers over the hanging curves and streamed
like sobs through the meshed ventilators of the Lalla Rookh. It was a
nasty night for any sort of a sleeper; for a dead one it was very bad.
Glover walked into the Lalla Rookh vestibule, around the smoking-room
passage, and into the main aisle of the car, dimly lighted at the hind
end. He made his way to the stateroom. The open door gave him light,
and he took off his storm-coat, pulled it over him for a blanket, and
had closed his eyes when he reflected he had forgotten to warn O'Brien
he must get off at Medicine Bend.
It was unpleasant, but forward he went again to avoid the annoyance of
being carried by. He could tell as he came back, by the swing, that
they were heading the Peace River curves, for the trucks were hitting
the elevations like punching-bags. Just as he regained the main aisle
of the Lalla Rookh, a lurch of the car plumped him against a
section-head. He grasped it an instant to steady himself, and as he
stopped he looked. Whether it was that his eyes fell on the curtained
section swaying under the Pintsch light ahead--Section Eleven made
up--or whether his eyes were drawn to it, who can tell? A woman's head
was visible between the curtains. Glover stood perfectly still and
stared. Without right or reason, there certainly stood a woman.
With nobody whatever having any business in the car, a car out of
service, carried as one carries a locked and empty satchel--yet the
curtains of Section Eleven, next his stateroom, were parted slightly,
and the half-light from above streamed on a woman's loose hair. She
was not looking toward where he stood; her face was turned from him,
and as she clasped the curtain she was looking into his stateroom.
What the deuce! thought Glover. A woman passenger in a dead sleeper?
He balanced himself to the dizzy wheel of the truck under him, and
waited for her to look his way--since she must be looking for the
porter--but the head did not move. The curtains swayed with the
jerking of the car, but the woman in Eleven looked intently into the
dark stateroom. What did it mean? Glover determined a shock.
"Tickets!" he exclaimed, sternly--and stood alone in the car.
Public-domain text, read in full here on John Shaqi.
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