Russia -- History -- Catherine II, 1762-1796 -- Fiction; Russia -- History -- Elizabeth, 1741-1762 -- Fiction
“Ungrateful!” said she, gnashing her teeth. “Is it thus you reward my
love, is this your return for all I have done for you? Can you forget
that it was I who withdrew you from poverty and baseness? What were you
but a poor, unnoticed singer in the streets, on whom people bestowed
scanty alms? Was it not I who rescued you from that shame, and clothed
you and gave you a home? Was it not I who gave you a name and procured
you consideration and respect by making you my singer and companion, and
allowing you to play upon the harp at my improvisations? How has not
all Rome admired you when you sang the canzones I wrote for you, thereby
procuring you honor and respectability, and making you a popular man
from a low beggar? Go, you cannot leave me, for you are my creature, my
property!”
He wildly thrust her aside, and his eyes flashed with indignation.
“Signora,” said he, his lips tremulous with rage, “you have rent the
last band that bound me to you, and in twitting me of your benefits you
have annihilated them! We now have nothing in common with each other,
except perhaps mutual hatred, and that, I hope, will have a longer
duration than our love!”
And Carlo turned toward the door. Corilla rushed after him with an
exclamation of terror.
“You will leave me now!” cried she, with anguish, “now, in this hour
when you are so indispensable to me? now, when I am to celebrate a new
triumph before this notable assembly? when all eyes are expectantly
turned to the curtain behind which I am to appear? No, no, Carlo, from
compassion remain with me only one hour, only this evening!”
Carlo smiled contemptuously. “I will remain,” said he, “for I have
promised _her_ that she shall hear you!”
“She has therefore come?” cried Corilla, with an outburst of joy.
“She is now here,” he laconically said.
Corilla no longer listened to him, she walked back and forth with a
triumphant mien, a cruel, malicious smile playing upon her lips.
At this moment there was a slight knock at the door, which was opened,
and a man who appeared upon the threshold glanced into the room with a
grinning laugh.
Corilla gave him a sign, and at the same time pointed at Carlo, who,
having his back toward her, seemed to have no suspicion of what was
occurring behind him. But he saw it, nevertheless, in the tall mirror
that stood in the middle of the room; he saw Corilla make signs of
intelligence with that man who was in the livery of Cardinal Francesco
Albani; he saw the man make answer with his fingers, and then draw forth
a dagger, which he threateningly swung over his head.
Oh, Carlo had very well understood what that man said, as he also did
that language of the fingers, this much-used language of the Romans and
Neapolitans.
The man had said: “She is here, that beautiful lady! She can no longer
escape us!”
“You will strike her?” had Corilla asked.
The man had swung the dagger over his head and held up two fingers of
his right hand. That signified: “In two hours she will be dead.”
Public-domain text, read in full here on John Shaqi.
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