Russia -- History -- Catherine II, 1762-1796 -- Fiction; Russia -- History -- Elizabeth, 1741-1762 -- Fiction
“Good! you shall be satisfied with me,” had been Corilla’s answer.
The door was again closed. Corilla turned smiling to Carlo, her former
rancor seemed to have vanished; she was in high spirits.
“Carlo,” said she, “how good you are not to leave me! Let us now begin.
I feel myself glowing with inspiration. Ah, I shall enrapture these good
Romans, I think!”
“How long will this improvisation last?” Carlo gruffly asked.
“Well, one or two hours, according to the delight we give our public.”
“If this farce continues longer than an hour and a half, I shall throw
down my harp and go away,” said Carlo, in a tone of severity. “I swear
it to you by the spirit of my mother! Remember it; I shall show you the
time every quarter of an hour.”
“You are a tyrant,” said she, laughing. “But I suppose I must submit.
Give, therefore, the signal that we are ready.”
THE IMPROVISATRICE
All the guests of the cardinal were assembled in the gigantic hall, and
all eyes were anxiously bent upon the mysterious curtain, which still
remained closed.
Now resounded a little bell, and Cardinal Bernis smilingly turned to
Natalie, who sat by his side.
“I think this mystery is about to be unveiled,” said he.
“And I am quite anxious about it,” said the young maiden, gracefully
laying her hand upon her heart. “My heart beats as violently as if a
mystery were about to be unveiled in my own breast. Do you believe in
presentiments, Sir Cardinal?”
Bernis had not time to answer her. Just at that moment the curtain drew
up, a general “Ah!” of admiration was heard, and, suddenly carried
away by their feelings, the whole audience broke into extravagant
and long-enduring applause, crying and shouting, “_Evviva Corilla!
l’improvisatrice Corilla!_”
And in fact it was an admirable picture which was there presented to the
audience. Those flower-strewed steps led up to an altar, upon the centre
of which, between wreaths of flowers, shot up two dark-red flames.
Against that altar leaned, exalted and august as a Grecian priestess,
the improvisatrice Corilla. Her eyes raised to the heavens, her features
lighted up with a rosy glow by the red flames, her half-raised right
arm resting upon an urn, while her left arm was stretched upward toward
heaven, she thus resembled an inspired priestess, just receiving a
message from on high, listening with ecstasy, with suppressed breath and
parted lips, to the voice of the Deity, and forgetting the world in
a blissful intoxication, she seemed about to take her flight to the
empyrean!
Public-domain text, read in full here on John Shaqi.
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