Thirdly, we have the philosophers, men who unite religious and artistic
qualities, combined, however, with a third element, namely, dialectics and
the love of controversy. They are the authors of evil in the same sense as
the religious men and artists, in addition to which they have wearied many
of their fellow-men with their passion for dialectics, though their number
has always been very small. Fourthly, the thinkers and scientific workers.
They but rarely strove after effects, and contented themselves with
silently sticking to their own groove. Thus they brought about little envy
and discomfort, and often, as objects of mockery and derision, they
served, without wishing to do so, to make life easier for the men of the
_vita activa_. Lastly, science ended by becoming of much advantage to all;
and if, _on account of this utility_, many of the men who were destined
for the _vita activa_ are now slowly making their way along the road to
science in the sweat of their brow, and not without brain-racking and
maledictions, this is not the fault of the crowd of thinkers and
scientific workers: it is “self-wrought pain.”(3)
42.
ORIGIN OF THE _VITA CONTEMPLATIVA_.—During barbarous ages, when
pessimistic judgments held sway over men and the world, the individual, in
the consciousness of his full power, always endeavoured to act in
conformity with such judgments, that is to say, he put his ideas into
action by means of hunting, robbery, surprise attacks, brutality, and
murder: including the weaker forms of such acts, as far as they are
tolerated within the community. When his strength declines, however, and
he feels tired, ill, melancholy, or satiated—consequently becoming
temporarily void of wishes or desires—he is a relatively better man, that
is to say, less dangerous; and his pessimistic ideas will now discharge
themselves only in words and reflections—upon his companions, for example,
or his wife, his life, his gods,—his judgments will be _evil_ ones. In
this frame of mind he develops into a thinker and prophet, or he adds to
his superstitions and invents new observances, or mocks his enemies.
Whatever he may devise, however, all the productions of his brain will
necessarily reflect his frame of mind, such as the increase of fear and
weariness, and the lower value he attributes to action and enjoyment. The
substance of these productions must correspond to the substance of these
poetic, thoughtful, and priestly moods; the evil judgment must be supreme.
Public-domain text, read in full here on John Shaqi.
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