It is worth while to look well at these cave-drawings. They are of various degrees of merit, for some are so skilful as to excite the admiration of artists and the astonishment of archæologists. And it is a curious fact that during ages which succeeded those of the cave-dwellers, all through the polished stone period and the age of bronze--of which we shall have to speak anon--no such ambitious imitative works of art seem to have been attempted. So far as we can tell, these after generations of men aimed at no such thing as a drawing of an animal or even of a plant. They confined themselves to ornamental _patterns_, to certain arrangements of points and lines. The love of imitation is doubtless one of the rudimentary feelings in the human mind; as we may see by watching children. But, rudimentary as it is, it springs from the same root as the highest promptings of the intellect--that is to say, from the wish to _create_--to fashion something actually ourselves. This is sufficient to explain the origin of these carvings; yet we need not suppose that when the art of making them was once known they were used merely for amusement. Long afterwards we find such drawings and representations looked upon as having some qualities of the things they represent; as, for instance, where in an ancient grave at Mæshow, in the Orkney islands, we find the drawing of a dragon, which had been supposed to watch over the treasures concealed therein. Savages in the present day often think that part of them is actually taken away when a drawing of them is made, and exactly a similar feeling gave rise to the superstition so prevalent in the Middle Ages, that witches and magicians could make a figure in wax to imitate the one on whom they wished to wreak their vengeance, and that all the pains inflicted upon this waxen antitype were reproduced in the body of the victim. On such confusion of ideas do all idolatries rest. So may we not, without too bold a flight, imagine that some superstitious notions, touching the efficacy of these drawings, was a spur to the industry of our first forerunners on the earth, and contributed to their wonderfully acquired skill in their art? May they not have thought that their representations gave them some power over the animals they represented: that the lance-head carved with a mammoth would be efficient against the mammoth’s hide; that the harpoon containing the representation of a deer or a fish was the weapon best adapted for transfixing either?[5]