The Dawn of History: An Introduction to Pre-Historic StudyKeary, C. F. (Charles Francis)
History
The Dawn of History: An Introduction to Pre-Historic Study
Keary, C. F. (Charles Francis)
Archaeology; History, Ancient; Mythology
Before, however, we enter upon any one of these it is right that we
remind the reader--and remind him once for all--that our knowledge upon
all these points is but partial and uncertain, and never of such a
character as will allow us to speak with dogmatic assurance. Our
information can necessarily never be direct; it can only be built upon
inferences of a higher or lower degree of probability. It is, however, a
necessity of our minds that from whatever information we possess we must
form an unbroken panorama--imagination has no place for unfilled blanks;
and we may form our picture freely and without danger of harm, so long
as we are ready to modify or enlarge it when more knowledge is
forthcoming. As the eye can in a moment supply the deficiencies of some
incompleted picture, a landscape of which it gets only a partial glance,
or a statue which has lost a feature, so the mind selects from its
knowledge those facts which form a continuous story, and loses those
which are known only as isolated fragments.
Set a practised and an unpractised draughtsman to draw a circle, and we
may witness how differently they go to work. The second never takes his
pencil off the paper, and produces his effect by one continuous line,
which the eye has no choice but at once to condemn as incomplete. The
wiser artist proceeds by a number of short consecutive strokes,
splitting up, as it were, his divergence over the whole length of the
figure he is drawing, and so allows the eye, or perhaps one should
rather say the mind, by that faculty it has, to select the complete
figure which it can conceive more easily than express. No one of the
artist’s strokes is the true fraction of a circle, but the result is
infinitely more satisfactory than if he had tried to make his pencil
follow unswervingly the curve he wished to trace. Or again, notice how a
skilful draughtsman will patch up by a number of small strokes any
imperfect portion of a curve he is drawing, and we have another like
instance of this selective faculty of the eye or of the mind. Just in
the same way is it with memory. Our ideas must be carried on
continuously, we cannot afford to remember _lacunæ_, mere blank spaces.
Public-domain text, read in full here on John Shaqi.
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