The Dawn of the XIXth Century in England: A social sketch of the times — John Shaqi
The Dawn of the XIXth Century in England: A social sketch of the timesAshton, John
History
The Dawn of the XIXth Century in England: A social sketch of the times
Ashton, John
England -- Social life and customs -- 19th century
ON THE 15th of May, the King, who, while his health was good, was
always most active in fulfilling the onerous duties which devolved
upon him, attended the field exercises of the Grenadier battalion of
the Guards, in Hyde Park, when a gentleman named Ongley, a clerk in
the Navy Office, was shot by a musket ball, during the volley firing,
whilst standing but twenty-three feet from the King. The wound was not
dangerous—through the fleshy part of the thigh—and it was immediately
dressed; and it might have passed off as an accident, but for an event
which occurred later in the day. The cartouch-boxes of the soldiers
were examined, but none but blank cartridges were found. So little
indeed was thought of it, that the King, who said it was an accident,
stopped on the ground for half an hour afterwards, and four more
volleys were fired by the same company before he left.
The King was a great patron of the Drama, and on that evening he
visited Drury Lane Theatre, where, “by command of their Majesties,”
were to be performed “She would, and she would not,”[4] and “The
Humourist;”[5] but scarcely had he entered the box, before he had
taken his seat, and whilst he was bowing to the audience, than a man,
who had previously taken up a position in the pit close to the royal
box, took a good and steady aim with a horse-pistol, with which he was
armed, at His Majesty, and fired: luckily missing the King, who with
the utmost calmness, and without betraying any emotion, turned round to
one of his attendants, and after saying a few words to him, took his
seat in apparent tranquillity, and sat out the whole entertainment. He
had, however, a narrow escape, for one of the two slugs with which the
pistol was loaded, was found but a foot to the left of the royal chair.
Needless to say, the would-be assassin was seized at once—as is
so graphically depicted in the illustration—and, by the combined
exertions of both pit and orchestra, was pulled over the spikes and
hurried across the stage, where he was at once secured and carried
before Sir William Addington, who examined him in an adjoining
apartment. The audience was furious, and with difficulty could be
calmed by the assurance that the villain was in safe custody. Then,
to avert attention, the curtain drew up, and the stage was crowded by
the whole strength of the house—scene-shifters, carpenters, and all;
and “God save the King” was given with all the heartiness the occasion
warranted.
Then, when that was done, and the royal party was seated, came the
reaction. The Princesses Augusta, Sophia, and Mary fainted away, the
latter twice. The Princess Elizabeth alone was brave, and administered
smelling salts and cold water to her less courageous sisters. The
Queen bore it well—she was very pale, but collected—and during the
performance kept nodding to the princesses, as if to tell them to keep
up their spirits.
Public-domain text, read in full here on John Shaqi.
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