HE changed with the seasons, and, like the seasons, was welcome in every
mood. In spring he was forlorn and passionate in turn; now fiercely
eloquent, now tuneful with those little cheerful songs that seem in terms
of human emotion to be the saddest of all. In summer he dreamed in
sensuous and unambitious idleness, gladly conscious of the sunshine and
warm winds and flower-smells, and using only languorous and gentle words.
In autumn, with the dead leaves of the world about his feet, he became
strangely hopeful and generous of glad promises of adventure and
conquest. It seemed as though he found it easier to triumph when Nature
had abdicated her jealous throne. But it was in the winter-time when he
came into his own kingdom, and mastered his environment and his passions
to make the most joyful songs. Then he would lie at full length on the
hearthrug, and we children, sitting in a rapt circle, fantastically lit
by the fire, would listen to his stories, and know that they were the
authentic wisdom.
It was in vain that the grown-ups warned us against the fascinations of
his society, telling us that dreamers came to no good end in a practical
world. As well might the townsfolk of Hamelin, in Brunswick, have
ordered their children to turn a deaf ear to the tune of the Pied Piper.
We had studied life from a practical point of view between our games, and
found it unsatisfying; this man brought us something infinitely more
desirable. He would come stepping with delicate feet, fearful of
trampling on our own tender dreams, and he would tell us the enchanted
stories that we had not heard since we were born. He told us the meaning
of the stars and the significance of the sun and moon; and, listening to
him, we remembered that we had known it all once before in another place.
Sometimes even we would remind him of some trivial incident that he had
forgotten, and then he would look at us oddly and murmur sadly that he
was getting very old. When the stories were over, and all the room was
still ringing with beautiful echoes, he would stand erect and ask us
fiercely whether we saw any straws in his hair. We would climb up him to
look (for he was very tall), and when we told him that we could not find
any he would say: “The day you see them there will be no more stories.”
We knew what the stories were worth to us, so we were always afraid of
looking at his head for fear that we should see the straws and all our
gladdest hours should be finished.
Public-domain text, read in full here on John Shaqi.
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