Himself a child, he was beloved of children and treated by them as an
equal; but I never knew another child who was so easily and continuously
amused. The Hippodrome, the British Museum, the Tower of London, and the
art of Messrs. Maskelyne and Devant alike raised in him the highest
enthusiasm, which he expressed with charming but sometimes embarrassing
freedom. Alone of all men, perhaps, he found the Royal Academy wholly
satisfying, and it could be said of him truly that if he did not admire
the picture he would always like the frame. He had a huge admiration for
any one who did anything, and he liked riding in lifts.
Though he treated women with elaborate courtesy, their society made him
self-conscious, and he, who could direct his body featly enough in a
crowded street, was apt to be clumsy in drawing-rooms. Perhaps it was
for this reason that they had apparently played no marked part in his
life, and I may be wrong in attaching any special significance to a
phrase he made one quiet evening in his flat. We had been speaking of
the latest sensation in our group of mutual acquaintances, of the
marriage of Phyllis, daintiest and most witty of cricket-lovers, to a man
in whom the jealously critical eyes of her friends could perceive no
charm; but the conversation had dwindled to silence when he said, “Surely
his love can make any man lovely!”
Then, as if the subject were closed, he fell to speaking of his latest
pocket-knife with boyish animation; but the phrase dwelt in my mind,
though the image of the brave boy with wide eyes and lips parted in
wonder was all that I ever knew of the man who made it.
CAROL SINGERS
Public-domain text, read in full here on John Shaqi.
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