Disabled veterans -- United States -- Fiction; Social change -- Fiction
Lane could have laughed aloud. He read the shallow souls of these
older girls. They could not help their instincts and he had learned
that it was instinctive with women to become emotional over soldiers.
Bessy Bell was a child. Hero-worship shone from her speaking eyes.
Whatever other young men might be to her, no one of them could compare
with a soldier.
The situation had its pathos, its tragedy, and its gratification for
Lane. He saw clearly, and felt with the acuteness of a woman. Helen
had jilted him for such young men as these. So in the feeling of the
moment it cost him nothing to thrill and fascinate these girls with
the story of how he had been shot through the leg. It pleased him to
see Helen's green eyes dilate, to see Bessy Bell shudder. Presently
Lane turned to speak to the supercilious Swann.
"I didn't have the luck to run across you in France!" he queried.
"No. I didn't go," replied Swann.
"How was that? Didn't the draft get you?"
"Yes. But my eyes were bad. And my father needed me at the works. We
had a big army contract in steel."
"Oh, I see," returned Lane, with a subtle alteration of manner he
could not, did not want to control. But it was unmistakable in its
detachment. Next his gaze on Mackay did not require the accompaniment
of a query.
"I was under weight. They wouldn't accept me," he explained.
Bessy Bell looked at Mackay disdainfully. "Why didn't you drink a
bucketful of water--same as Billy Means did? He got in."
Helen laughed gayly. "What! Mac drink water? He'd be ill.... Come,
let's dance. Dick put on that new one. Daren, you can watch us dance."
Swann did as he was bidden, and as a loud, violent discordance blared
out of the machine he threw away his cigarette, and turned to Helen.
She seemed to leap at him. She had a pantherish grace. Swann drew her
closely to him, with his arm all the way round her, while her arm
encircled his neck. They began a fast swaying walk, in which Swann
appeared to be forcing the girl over backwards. They swayed, and
turned, and glided; they made strange abrupt movements in accordance
with the jerky tune; they halted at the end of a walk to make little
steps forward and back; then they began to bounce and sway together in
a motion that Lane instantly recognized as a toddle. Lane remembered
the one-step, the fox-trot and other new dances of an earlier day,
when the craze for new dancing had become general, but this sort of
gyration was vastly something else. It disgusted Lane. He felt the
blood surge to his face. He watched Helen Wrapp in the arms of Swann,
and he realized, whatever had been the state of his heart on his
return home, he did not love her now. Even if the war had not
disrupted his mind in an unaccountable way, even if he had loved Helen
Wrapp right up to that moment, such singular abandonment to a
distorted strange music, to the close and unmistakably sensual embrace
of a man--that spectacle would have killed his love.
Public-domain text, read in full here on John Shaqi.
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