Manners and customs -- Fiction; Short stories, English
"We can no more than drive and steer her and so forth; but if we
have rough weather this trip - it's likely - she'll learn the
rest by heart! For a ship, ye'll obsairve, Miss Frazier, is in
no sense a reegid body closed at both ends. She's a highly
complex structure o' various an' conflictin' strains, wi'
tissues that must give an' tak' accordin' to her personal
modulus of elasteecity." Mr. Buchanan, the chief engineer, was
coming towards them. "I'm sayin' to Miss Frazier, here, that our
little Dimbula has to be sweetened yet, and nothin' but a gale
will do it. How's all wi' your engines, Buck?"
"Well enough - true by plumb an' rule, o' course; but there's no
spontaneeity yet." He turned to the girl. "Take my word, Miss
Frazier, and maybe ye'll comprehend later; even after a pretty
girl's christened a ship it does not follow that there's such a
thing as a ship under the men that work her."
"I was sayin' the very same, Mr. Buchanan," the skipper
interrupted.
"That's more metaphysical than I can follow," said Miss Frazier,
laughing.
"Why so? Ye're good Scotch, an'- I knew your mother's father, he
was fra' Dumfries - ye've a vested right in metapheesics, Miss
Frazier, just as ye have in the Dimbula," the engineer said.
"Eh, well, we must go down to the deep watters, an' earn Miss
Frazier her deevidends. Will you not come to my cabin for tea?"
said the skipper. "We'll be in dock the night, and when you're
goin' back to Glasgie ye can think of us loadin' her down an'
drivin' her forth - all for your sake."
In the next few days they stowed some four thousand tons
dead-weight into the Dimbula, and took her out from Liverpool.
As soon as she met the lift of the open water, she naturally
began to talk. If you lay your ear to the side of the cabin,
the next time you are in a steamer, you will hear hundreds of
little voices in every direction, thrilling and buzzing, and
whispering and popping, and gurgling and sobbing and squeaking
exactly like a telephone in a thunder-storm. Wooden ships
shriek and growl and grunt, but iron vessels throb and quiver
through all their hundreds of ribs and thousands of rivets. The
Dimbula was very strongly built, and every piece of her had a
letter or a number, or both, to describe it; and every piece had
been hammered, or forged, or rolled, or punched by man, and had
lived in the roar and rattle of the shipyard for months.
Therefore, every piece had its own separate voice, in exact
proportion to the amount of trouble spent upon it. Cast-iron, as
a rule, says very little; but mild steel plates and
wrought-iron, and ribs and beams that have been much bent and
welded and riveted, talk continuously. Their conversation, of
course, is not half as wise as our human talk, because they are
all, though they do not know it, bound down one to the other in
a black darkness, where they cannot tell what is happening near
them, nor what will overtake them next.
Public-domain text, read in full here on John Shaqi.
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