Manners and customs -- Fiction; Short stories, English
"He told me that the first time he went into the engine-room of a
steamer, when he was a boy, he prayed to the low-pressure
cylinder."
"Not half a bad thing to pray to, either. He's propitiating his
own Gods now, and he wants to know what Mother Gunga will think
of a bridge being run across her. Who's there?" A shadow
darkened the doorway, and a telegram was put into Hitchcock's
hand.
"She ought to be pretty well used to it by this time. Only a tar.
It ought to be Ralli's answer about the new rivets. . . . Great
Heavens!" Hitchcock jumped to his feet.
"What is it?" said the senior, and took the form. "that's what
Mother Gunga thinks, is it," he said, reading. "Keep cool, young
'un. We've got all our work cut out for us. Let's see. Muir wired
half an hour ago: 'Floods on the Ramgunga. Look out.' Well, that
gives us - one, two - nine and a half for the flood to reach
Melipur Ghaut and seven's sixteen and a half to Lataoli - say
fifteen hours before it comes down to us."
"Curse that hill-fed sewer of a Ramgunga! Findlayson, this is two
months before anything could have been expected, and the left
bank is littered up with stuff still. Two full months before
the time!"
"That's why it comes. I've only known Indian rivers for
five-and-twenty years, and I don't pretend to understand. Here
comes another tar." Findlayson opened the telegram. "Cockran,
this time, from the Ganges Canal: 'Heavy rains here. Bad.' He
might have saved the last word. Well, we don't want to know any
more. We've got to work the gangs all night and clean up the
riverbed. You'll take the east bank and work out to meet me in
the middle. Get everything that floats below the bridge: we
shall have quite enough river-craft coming down adrift anyhow,
without letting the stone-boats ram the piers. What have you got
on the east bank that needs looking after?
"Pontoon - one big pontoon with the overhead crane on it.
T'other overhead crane on the mended pontoon, with the cart-road
rivets from Twenty to Twenty~three piers - two construction
lines, and a turning-spur. The pilework must take its chance,"
said Hitchcock.
"All right. Roll up everything you can lay hands on. We'll give
the gang fifteen minutes more to eat their grub."
Close to the verandah stood a big night~gong, never used except
for flood, or fire in the village. Hitchcock had called for a
fresh horse, and was off to his side of the bridge when
Findlayson took the cloth-bound stick and smote with the rubbing
stroke that brings out the full thunder of the metal.
Public-domain text, read in full here on John Shaqi.
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