The Priory stood on low ground between Wareham and Wimbourne,
sheltered from the north by a bold ridge of heath, screened on the
east by a little wood of oaks and chestnuts, Spanish chestnuts, with
graceful drooping branches, whose glossy leaves contrasted with the
closer foliage of the rugged old oaks. The house was built of Purbeck
stone, and its bluish grey was touched with shades of gold and
silvery green where the lichens and mosses crept over it, while one
long southern wall was clothed with trumpet-ash and magnolia, myrtle
and rose, as with a closely interwoven curtain of greenery, from
which the small latticed windows flashed back the sunshine.
Nothing at the Priory was so stately as its counterpart at Cheriton.
There were marble balustrades and rural gods there on the terrace;
here there was only a broad gravel walk along the southern front,
with a little old shabby stone temple at each end. At Cheriton three
flights of marble steps led from the terrace to the Italian garden,
and then again three more flights led to a garden on a lower level,
and so by studied gradations to the bottom of the slope on which the
mansion was built. Here house and garden were on the same level, and
those gardens which Lady Jane had so cherished were distinguished
only by an elegant simplicity. Between the garden and a park of less
than fifty acres there was only a sunk fence, and the sole glory of
that modest domain lay in a herd of choice Channel Island cows, which
had been Lady Jane’s pride. She had resigned them to Juanita without
a sigh, although each particular beast had been to her as a friend.
“My dear, what could I do with cows in a villa?” she said, when
Juanita suggested that she should at least keep her favourites,
Beauty, and Maydew, and Coquette. “Of course, as you say, I could
rent a couple of paddocks; but I should not like to see the herd
divided. Besides, you will want them all by-and-by, when you have a
family.”
Nita stepped lightly across the threshold of her future home. The
old grey porch was embedded in roses and trailing passion-flowers.
Everything had a shabby, old-world look compared with Cheriton. Here
there had been no improvement for over a century; all things had been
quiescent as in the Palace of the Sleeping Beauty.
“What a dear old house it is, Godfrey, and how everything in it
speaks to me of your ancestors—your own ancestors—not other people’s!
That makes all the difference. At Cheriton I feel always as if I were
surrounded by malevolent ghosts. I can’t see them, but I know they
are there. Those poor Strangways, how they must hate me.”
Public-domain text, read in full here on John Shaqi.
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