“Let her see him,” said Theodore, gently. “We cannot lessen her
sorrow. It must have its way. Better perhaps that she should see him,
and accustom herself to her grief; better for her brain, however it
may torture her heart.”
He saw the risk of a further calamity in his cousin’s state—the fear
that her mind would succumb under the burden of her sorrow. It seemed
to him that there was more danger in thwarting her natural desire to
look upon her beloved dead than in letting her have her way.
The housekeeper had followed her young mistress to the drawing-room
door, and was waiting there. She shook her head, and murmured
something about Mr. Dolby’s orders, but submitted to the authority of
a kinsman and family solicitor, as even superior to the faculty.
She led the way silently to that upper chamber where the murdered man
was lying. Matthew Dalbrook put his cousin’s icy hand through his arm
and supported her steps as they slowly followed. Theodore remained in
the drawing-room, walking up and down, in deepest thought, stopping
now and then in his slow pacing to and fro to contemplate that stain
upon the velvet pile, and the empty chair beside it.
In the room above Juanita knelt beside the bed where he who kissed
her last night on the threshold of her chamber lay in his last
slumber, a marble figure with calm dead face shrouded by the snowy
sheet, with flowers—white waxen exotics—scattered about the bed. She
lifted the sheet, and looked upon him, and kissed him with love’s
last despairing kiss, and then she knelt beside the bed, with her
face bent in her clasped hands, calmer than she had been at any
moment since she found her murdered husband lying at her feet.
“It’s wonderful,” whispered the housekeeper to Mr. Dalbrook; “it
seems to have soothed her, poor dear, to see him—and I was afraid she
would have broke down worse than ever.”
“You must give way to her a little, Mrs. Morley. She has a powerful
mind, and she must not be treated like a child. She will live through
her trouble, and rise superior to it, be sure of that; terrible as it
is.”
The door opened softly, and a woman came into the room, a woman of
about five-and-forty, of middle height, slim and delicately made,
with aquiline nose and fair complexion, and flaxen hair just touched
with grey. She was deadly pale, but her eyes were tearless, and she
came quietly to the bed, and fell on her knees by Juanita’s side
and hid her face as Juanita’s was hidden, and the first sound that
came from her lips was a long low moan—a sound of greater agony than
Matthew Dalbrook had ever heard in his life until that moment.
“Good God,” he muttered to himself, as he moved to a distant window,
“I had forgotten Lady Jane.”
Public-domain text, read in full here on John Shaqi.
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