The Days of Chivalry; Or, The Legend of Croquemitaine — John Shaqi
The Days of Chivalry; Or, The Legend of CroquemitaineQuatrelles
History
The Days of Chivalry; Or, The Legend of Croquemitaine
Quatrelles
Charlemagne, Emperor, 742-814 -- Fiction; France -- History -- Humor
little in front of the tent. Charlemagne had ordained that the Queen of
Beauty should share this with him, in order that she might be surrounded
by the most valiant knights and the most lovely ladies. The two retinues
attended on her amid incessant peals of mirth and merriment.
Finally, my dear readers, to finish the picture, figure to yourselves,
situated half-way between the lists and the forest, and surmounted by
a huge iron cross, a Gothic chapel, in which, each morning, Turpin, the
good and gallant Bishop of Rheims, officiated as priest in the presence
of the kneeling multitude.
[Illustration: 025]
At length the day of the tournament arrived. There had been many jousts
before, but never had there been one of equal magnificence. From the
earliest dawn the places were all occupied. Even the old trees were as
thickly loaded with curious spectators as a plum-tree in August; and the
good folks were right to crowd so, for had they lived their lives six
times over, they would never have seen anything equal to the sight
again, it was absolutely necessary for the soldiers to lay about
with their pike-staves, in order to calm the eager ardour of the most
enthusiastic; but nobody took any notice of thumps that, under any other
circumstances, would have been received with an ill grace.
All of a sudden a flourish of trumpets made the air resound. A
glittering advanced-guard entered the enclosure and took up their
position, and then Charlemagne entered the arena at the head of a
numerous escort of knights and nobles, and of ecclesiastics in rich
vestments. Enthusiasm knew no bounds. “Montjoie! Montjoie!” resounded
on every side. Charlemagne, who later in life affected the greatest
simplicity in dress, had assumed for this great occasion the most
brilliant attire. His shirt was of fine linen, its border enriched
with gold embroidery. His tunic was of silk, plated with gold, and was
covered with precious stones of surpassing brightness--emeralds, rubies,
and topaz. His armlets and girdle were chased with the most exquisite
art, and his alms-pouch, which hung at his side, was besprinkled with
pearls and gems enough to dazzle a blind man. His brow was bound with
a glittering diadem. His whole figure shone with an unaccustomed
splendour, and he greatly surpassed in magnificence the grandest of
his dukes, counts, or barons. His steed, covered with gold and rich
trappings, seemed proud of the burthen it carried.
Public-domain text, read in full here on John Shaqi.
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