The Dead Men's Song: Being the Story of a Poem and a Reminiscent Sketch of its Author Young Ewing AllisonHitchcock, Champion Ingraham
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The Dead Men's Song: Being the Story of a Poem and a Reminiscent Sketch of its Author Young Ewing Allison
Hitchcock, Champion Ingraham
Allison, Young Ewing, 1853-1932; Stevenson, Robert Louis, 1850-1894. Treasure Island; Treasure Island (Imaginary place)
Well, because "Derelict" was a delight and Allison my friend, I gave away
_Rubrics_ by the score and, among others, saw that a copy went to Wallace
Rice, literatus--and Chicago book reviewer--to whom I owe an everlasting
debt of gratitude for precious moments saved by good advice on modern stuff
not to read. In presenting "Derelict," the _Rubric_ publishers left an
impression that the poem had but then been completed[9] for its pages. I
knew better; Wallace had read it before, in whole or in part and raised a
question. It so worked upon me that later I decided to submit it to Allison
himself. Sometimes we do things, and know not why, that have a very
distinct later and wholly unexpected bearing upon situations, and when the
opportunity for this volume arose, the memory that I had saved Allison's
penciled reply came over me. A patient search had its reward. Here is the
letter[10] written with the same old lead pencil on the same old spongy
copy paper:
Louisville Feb. 22, 1902.
Dear Hitch:
My supposition is that the _Rubric_ folks misunderstood or have
been misunderstood. The Dead Man's Song was first written about 10
years ago--3 verses--and Henry Waller set it to music & it was
published in New York. The version for the song did not exhaust it
in my mind and so I took it up every now & then for 4 or 5 years
and finally completed it. A very lovely little girl who was
visiting my wife helped me to decide whether I should write in one
verse "a flimsy shift" or "a filmy shift" or other versions, and
her opinion on "flimsy" decided me. She is the only person that
ever had anything to do with it--_as far as I know_! What hypnotic
influences were at work or what astral minds may have intervened, I
know not. But I have always thought I did it all. It was not much
to do, except for a certain 17th Century verbiage and grisly humor.
I am glad you still believe I wouldn't steal anybody else's brains
any more than I would his money. Waller wrote splendid singing
music to it which Eugene Cowles used to bellow beautifully.
With best love, as always,
Y. E. A.
[9] See letter to "The New York Times Book Review".
[10] Reproduced in facsimile.
Public-domain text, read in full here on John Shaqi.
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