The Dead Men's Song: Being the Story of a Poem and a Reminiscent Sketch of its Author Young Ewing Allison — John Shaqi
The Dead Men's Song: Being the Story of a Poem and a Reminiscent Sketch of its Author Young Ewing AllisonHitchcock, Champion Ingraham
General
The Dead Men's Song: Being the Story of a Poem and a Reminiscent Sketch of its Author Young Ewing Allison
Hitchcock, Champion Ingraham
Allison, Young Ewing, 1853-1932; Stevenson, Robert Louis, 1850-1894. Treasure Island; Treasure Island (Imaginary place)
In all our years of association and friendship, I have never known him to
do an unkind or dishonorable act. He is considerate of others,
tender-hearted, sentimental. But, believe me, in "contrariwise," he is
flinty obsidian when it comes to his convictions. Shams and hypocrites and
parading egotists are his particular and especial abomination and when he
gets on the editorial trail of one of that ilk, he turns him inside out and
displays the very secrets of what should be his immortal soul. He is always
poking fun at friends and they laugh with him at what he writes about them,
which recalls one of his earliest and best bits of advice--"never to write
about a man so that others will laugh _at_ him, unless your intention is
deliberately to hurt his feelings. Write so that he will laugh _with_ you."
If I could have one grand wish it would be that everybody could know him as
I do: the man; the book-worm; the toastmaster; the public speaker; the
writer; the sentimentalist; the friend. Absolutely natural and approachable
at all times with never the remotest hint of theatricalism, (unless the
careless tossing over his shoulder of one flap of the cape of a cherished
brown overcoat might be called theatrical), he is yet so many sided and
complex that, without this self-same naturalness, often would be
misunderstood. That he never cultivated an exclusiveness or built about
himself barriers of idiosyncrasy is a distinct credit to his common sense.
He's chock-full of that!
Let us see just how versatile Young Allison is. Years ago--twenty-six to be
exact--he took the dry old subject of insurance and week in and out made it
sparkle with such wit and brilliancy that every-day editorials became
literary gems which laymen read with keenest enjoyment. Insurance writing
might be said to be his vocation--a sort of daily-bread affair, well
executed, because one should not quarrel with his sustenance--with
librettos for operas, and poems and essays as an avocation. Fate must have
doomed his operas in the very beginning, for despite some delicious
productions, captivating in words and spirit, and set to slashing music,
they go unsung because a a malign Jinx pursued.
Public-domain text, read in full here on John Shaqi.
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