The Death of the Gods: (Christ and Antichrist, 1 of 3)Merezhkovsky, Dmitry Sergeyevich
History
The Death of the Gods: (Christ and Antichrist, 1 of 3)
Merezhkovsky, Dmitry Sergeyevich
Biographical fiction; Julian, Emperor of Rome, 331-363 -- Fiction; Rome -- History -- Julian, 361-363 -- Fiction
"Then they are all...."
"No, no! Some of them are dancing-girls, tragic actresses, horsewomen
from the Hippodrome. See how gay they are and free from false shame!
Believe me, the people like that! That's what they want. And there's
a patrician woman!..."
The last-named was a Christian, an old maid looking out for husbands.
On her head rose a helmet-shaped wig, a galerum made of blond hair
powdered with gold--thickly covered with gems as an Indian idol;
impudently painted, she drew her tiger-skin across her withered bosom,
and smiled affectedly.
Julian looked down on the people with a sudden impulse of distaste.
Rope-dancers, drunken legionaries, venal women, circus-riders,
gymnasts, actors, swarmed and wantoned all round him.
The procession arrived at a place where four streets met. One of the
Bacchantes ran to a tavern, whence came an unpleasant smell of rancid
frying fish, and bought some greasy cakes for three obols. These she
ate, greedily licking her lips; and finished by wiping her hands on
the purple silk of her robes, which had been granted for the
procession by the Imperial Treasury.
The chorus of Sophocles soon became wearisome. Husky voices took up a
street-song. The whole proceeding appeared to Julian to have been
desecrated. A drunken man was picked up; and some thieves, playing the
part of Fauns, were arrested. They defended themselves, and a fight
ensued. The only personages in the whole company whose demeanour
remained dignified and beautiful were the panthers.
At last they drew near the temple. Julian came down from his chariot.
"Can I really present myself before the altar of Dionysus surrounded
by this human refuse?"
A chill of disgust ran through his body. He saw the brutal faces
wasted with debauchery, corpse-like through their paint; the painful
nudity of bodies deformed by fasting and anæmia. He breathed the
atmosphere of low wine-shops, houses of ill-fame. The breath of the
crowd, tainted with rotten fish and sour wine, smote him through the
aromatic smoke. Scrolls of papyrus were stretched out to him from
every side:
"I was promised a place in your stables.... I have been paid nothing
for renouncing Christ...."
"Don't desert us, Divine Augustus! Protect us! We denied for your sake
the faith of our fathers!... If you give us up what will become of
us?"
These were the voices drowned by the chorus of the feast.
Julian went into the temple, and contemplated the marvellous statue of
Dionysus. His eyes, weary with human deformity, reposed on the pure
lines of that divine body. He became oblivious of the crowd as if he
were alone--the only man amidst a herd of animals.
The Emperor proceeded to the sacrifice. The people watched with
amazement the Roman Cæsar, as Pontifex Maximus, in his zeal for
religion doing the work of a slave--splitting wood, bringing twigs,
drawing water, and cleansing the altar.
A rope-dancer said to his neighbour--
"Look how he keeps at it! He really loves his gods!"
Public-domain text, read in full here on John Shaqi.
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